A Quote by Kristan Higgins

Humor writing requires a rhythm and timing, as well as some kind of connection to the reader, and I think that's how I tap into it. — © Kristan Higgins
Humor writing requires a rhythm and timing, as well as some kind of connection to the reader, and I think that's how I tap into it.
In the broadest possible sense, writing well means to communicate clearly and interestingly and in a way that feels alive to the reader. Where there’s some kind of relationship between the writer and the reader - even though it’s mediated by a kind of text - there’s an electricity about it.
Well, I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing.
How often I have tried to tell writing students that the first thing a writer must do is love the reader and wish the reader well. The writer must trust the reader to be at least as intelligent as he is. Only in such well wishing and trust, only when the writer feels he is writing a letter to a good friend, only then will the magic happen.
Everybody I know who is funny, it's in them. You can teach timing, or some people are able to tell a joke, though I don't like to tell jokes. But I think you have to be born with a sense of humor and a sense of timing.
I took several years of dance lessons that included ballet, tap and jazz. They helped a great deal with body control, balance, a sense of rhythm, and timing.
If you're going to have a book full of clever people and nobody ever jokes, it's just not going to ring true to the reader. That said, humor writing is the hardest kind of writing there is.
Timing is so important! If you are going to be successful in dance, you must be able to respond to rhythm and timing. It's the same in the Spirit. People who don't understand God's timing can become spiritually spastic, trying to make the right things happen at the wrong time. They don't get His rhythm - and everyone can tell they are out of step. They birth things prematurely, threatening the very lives of their God-given dreams.
Pace, rhythm and timing. Pace, rhythm and timing is what it's about. The content's got to be great, but then it's got to be delivered. It's a tricky thing to do, and it takes a lot of work.
I think the best dramatic actors know how to tap into their character's humor.
I think that [Donald Trump] clearly was able to tap into a lot of grievances. And he has a talent for making a connection with his supporters that overrode some of the traditional benchmarks of how you'd run a campaign or conduct yourself as a presidential candidate. What will be interesting to see is how that plays out during the course of his presidency.
I think my mom put me in tap classes when I was three, which I never pursued. I don't know how to tap. Then we moved to Portugal when I was five, and, I think, she put me in ballet classes immediately. Then I was expelled for being too restless - I am too high energy - and was told I could go do rhythm gymnastics.
Humor is like music. It's a rhythm, and you just kind of get the rhythm of it, and you have to know not to let the beat go too long, but to leave a beat in there for it to gel.
I do think that there's a special connection between Australia and America. It's kind of unexplainable. It's just one of those things. It's all about God's timing. We're thankful to be a part of it.
In writing, the connection between storyteller and audience is just as important. By using some subtle devices, a narrator can reach out to the reader and say, 'We’re in this together.'
I've found myself moved by letters and diaries in archives as well as trashy, summer blockbusters. It's possible to make a connection with any kind of writing - as long as the writing is good.
Well, I think that there is a connection between being a lawyer and a doctor and an actor. They kind of, in some ways, have the same appeal, I suppose.
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