A Quote by Kristan Higgins
A lot of people ask for sequels, but what they really want is just to know the characters are happy and safe.
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People talk a lot about Pixar going off the rails. A lot of people are saying they aren't happy that we are making sequels. But for every one of those people, there is one that is happy because they fell in love with the worlds we created. We hope we've proved that a sequel can be every bit as enjoyable as the original.
It’s harder to talk about, but what I really, really, really want for Christmas is just this: I want to be 5 years old again for an hour. I want to laugh a lot and cry a lot. I want to be picked or rocked to sleep in someone’s arms, and carried up to be just one more time. I know what I really want for Christmas: I want my childhood back. People who think good thoughts give good gifts.
This job forces you to ask yourself so many questions: Do you want money? Do you want power? Do you just want to be good at your craft? I don't know what I'm doing. I just want to be happy. But I know I have to keep making music.
You can't ask for what you want unless you know what it is. A lot of people don't know what they want or they want much less than they deserve. First you have figure out what you want. Second, you have to decide that you deserve it. Third, you have to believe you can get it. And, fourth, you have to have the guts to ask for it
I really do feel like I know myself, and I'm so happy to be by myself and I'm so happy to be with other people; I just know myself really, really well, and I think that is an amazing thing. I think a lot of people don't know themselves that well.
I really do feel like I know myself, and I’m so happy to be by myself and I’m so happy to be with other people; I just know myself really, really well and I think that is an amazing thing. I think a lot of people don’t know themselves that well.
Most people know me at Pixar as the guy that doesn't like to do sequels or very reluctant to do sequels.
People don't really want to know what happens. They ask you for just a second, but then they don't want to know.
I see so many people living in a bubble. They want to be safe, they want their kids to be safe, and they want their friends to be safe. And I get that. That's awesome and really admirable. But life is not about who gets out the cleanest at the end, or who's the most well-preserved and healthiest.
I obviously want a safe world for everybody if we're getting really deep, but my safe and happy place is always going to be music.
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
I really love doing nothing. I really love just being at home and taking a couple of days, you know, doing nothing. You know what I mean? Just getting up, being around the house, going outside the back yard, coming back in; I really like to do nothing because I travel a lot. There's a lot of travelling. There's a lot of on the phone all the time. There's a lot of looking at papers and reading things and so you don't want to read magazines and you don't want to do anything; you don't want to read books, you just want to just kind of shut down a little bit.
Your characters are always your children. And while you are writing, you're keeping them safe. Now they're ready to go into the world and it's sad. I'm happy with the way the novel came out but all the characters' ending really saddened me.
You ask people what their ethnicity is, and a lot of Scots-Irish people either don't know or if they know it they just don't acknowledge it. It's not something they really identify with. They're just plain old Americans, plain vanilla. I don't think they are a self-conscious voting bloc.
If you really want to know about the future, don't ask a technologist, a scientist, a physicist. No! Don't ask somebody who's writing code. No, if you want to know what society's going to be like in 20 years, ask a kindergarten teacher.
I think a lot of people end up making sequels to movies just because the first one did a lot of business, and I think what people have learned is that it doesn't matter if the first one did a lot of business or that people want to go see another one just to see another one.
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