A Quote by Kristen Bell
Part of my becoming a vegetarian was that I would look at my burger, then look at my dogs, and I wasn't able to see a difference.
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Human beings look separate because you see them walking about separately. But then we are so made that we can see only the present moment. If we could see the past, then of course it would look different. For there was a time when every man was part of his mother, and (earlier still) part of his father as well, and when they were part of his grandparents. If you could see humanity spread out in time, as God sees it, it would look like one single growing thing--rather like a very complicated tree. Every individual would appear connected with every other.
Look at the trees, look at the birds, look at the clouds, look at the stars-and if you have eyes you will be able to see that the whole existence is joyful.
We don't look at 'Maha Kumbh' as just another serial. We would like viewers to see what we see. We haven't had a game-changer on Indian television for a very long time. We hope this one will make difference to the way audiences look at the home-viewing medium.
I've seen a look in dogs' eyes, a quickly vanishing look of amazed contempt, and I am convinced that basically dogs think humans are nuts.
Photographs help people look at things they may not be able or may not want to look at. Until you can look at something, you can't change it. First you have to look at it, then you have a chance to understand it and can change it.
Kevin Feige and I have very smart people who work for us, who make sure that we see everything. And that we actually see everything. They see everything, tell us about it, we see it. You have to have people who work with you, who say 'you have to look at this film'. And then you look at it. You really have to look at it. You have to look at movies all the time.
If I could get their attention long enough, I felt they would see beneath the boobs and find the heart, and that they would see beneath the wig and find the brains. I think one big part of whatever appeal I possess is the fact that I look totally one way and that I am totally another. I look artificial, but I'm not.
But his face had that hollow look, as if there was something gone... you know that look. The inward focus. Distantly attentive to the home you're missing, or the someone you're missing. That look that a bird has when it turns it dry reptilian eye on you. That look that doesn't see you because the mind is filled up with someone it would rather see.
It would be great to continue shooting on film. Amongst other things, the mystery of not knowing exactly how it's going to look until we see it later and having your DP and being able to trust in him that he's the holder of how this is going to look is a beautiful mystery of filmmaking I'm loathe to look up.
You don't really see a muscle as a part of you, in a way. You see it as a thing. You look at it as a thing and you say well this thing has to be built a little longer, the bicep has to be longer; or the tricep has to be thicker here in the elbow area. And you look at it and it doesn't even seem to belong to you. Like a sculpture. Then after looking at it a sculptor goes in with his thing and works a little bit, and you do maybe then some extra forced reps to get this lower part out. You form it. Just like a sculpture.
There are certain creative jobs where you know you are the person on the line, and there are few guarantees that you're going to be able to crank out hits every year. For the most part, it's a roller coaster. You look at Fox, you look at NBC, you look at ABC, and they've been up and down over the years and in every different position. So if you are somebody who is not afraid of risk and you love the creative process, it's great. Why would you not do it?
Visible success is important. It's important to be able to look on the TV and see yourself, turn on the radio and hear yourself. To see people from where you're from actually becoming successful.
As an artist, you can always learn different ways to refine your look. I mean, you look at any one time in my career and you see all the hairstyles I went through. You make changes until something feels comfortable with you. And people vibe with it because they can see the difference.
It's people's own prerogative to be able to look at something and know the difference between 'this is what someone looks like with make-up on' and 'this is what they look like in real life.'
I suppose I could understand it if men had simply forgotten unicorns, but not to see them at all, to look at them and see something else — what do they look to one another, then? What do trees look like to them, or houses, or real horses, or their own children?
Now that I know the dangers? Yes, I still would do it again. Why? 'Cause look at me. Look at my family. They're able to eat, they're able to have food and shelter over their head. Would I play football again? Yes.
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