A Quote by Kristen Connolly
I didn't really know much about the Houdinis when I started. As soon as they sent me the script, I wanted to find out everything I could about Bess. Luckily, I have a really wonderful friend named Michael Mitnick, who's a writer. He was a magician as a child, and that led him to the theater, which led to drama school, and he writes films now. Magic was really his thing, growing up, so he put me in touch with his magic teacher who is a real Houdini expert.
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Houdini, the magician who debunked magic, could not bear to see the great rationalist [Arthur Conan] Doyle enchanted by ghosts and frauds. And so he did what any friend would: He set out to prove spiritualism false and rob his friend Doyle of the only comforting fiction that was keeping him sane. It was the least he could do.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
Before he died, Harry said that his wife knew everything about every trick that he did, and that she knew how they all worked. It was interesting to play with that idea, and to find the places where she really was afraid for his safety and where she was playing along. I had to find that line between what's a performance and what's real, and that's so much of what magic is, as well. It was really, really fun. They were really partners, in every sense of the word.
Stairs," Valkyrie said, disappointed. "Not just ordinary stairs," Skulduggery told her as he led the way down. "Magic stairs." "Really?" "Oh, yes." She followed him into the darkness. "How are they magic?" "They just are." "In what way?" "In a magicky way." She glared at the back of his head. "They aren't magic at all, are they?" "Not really.
There was a guy named Ed Mishell. He was this grandfatherly guy who did all the illustrations for the catalogs and reviewed magic effects for the magic magazines, so all of the magic dealers would send him magic effects for free-it was a great deal. His basement was full of this stuff. He took me under his wing, and he would sneak me into the Society of American Magicians meetings in New York. It's the world's oldest magic organization.
I want to bring magic back to where it started, which is not about the props, and it's not about me as a magician: it's about the audience and playing with their minds and playing with their perception of magic and having fun with it.
I started out a die-hard New Yorker but really grew to love working in Los Angeles. Even though I originally wanted to do theater, TV presented more opportunities for me, which led me out west.
I always wanted to go to the Chavez school but I could never afford it when I was growing up so a lot of my learning came from magic books and watching other magicians. I was also very lucky that I had a couple of really good magic teachers.
As a magician or anyone fascinated by magic, the Houdini story is a really impressive one.
Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice.
I did a lot of magic shows growing up. My dad is a graphic designer so he helped me brand myself and create a logo. So I was just rollin' with the magician crowd for a while. But I was really young, 10 to 13, doing table magic and balloon animals at this Italian restaurant.
If you want some advice—which I'm sure you don't—you guys should lay off on the magic. Christian still thinks you're moving in on Lissa." "What?" he asked in mock astonishment. "Doesn't he know my heart belongs to you?" "It does not. And no, he's still worried about it, despite what I've told him." "You know, I bet if we started making out right now, it would make him feel better." "If you touch me," I said pleasantly, "I'll provide you with the opportunity to see if you can heal yourself. Then we'd see how badass you really are.
When [the magician] clicks his fingers and cards change to the four aces, we know we have experienced sleight of hand. Real magic would not be quite that quick and easy. Real magic would take investment. Real magic would draw you in, and make you nervous.
There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs
Everybody is designing magic iPhone apps that do things that are really, really beautiful, but a really important thing about magic is that the gimmick has to be ugly.
I didn't want any middle-of-the-road creep. I always wanted the toughest guy in school, the guy from south Philly who wore tight black pants. Y'know, the guy who carried the umbrella and wore white shirts with real thin black ties. I was really nuts over this guy named Butchie Magic 'cause he let me carry his switchblade.
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