A Quote by Kristen Stewart
It's very counterintuitive to boil down something so personal, something that requires privacy. All of a sudden, you open it up to the world and put it in a context where you could easily trivialize what you've done. If people sense that discomfort, they're not wrong.
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My parents thought, 'Oh, my God! What's wrong with him? He's possessed or something.' All of a sudden, I stood up and started saying my lines. From then on, that was it. I knew there was something special about the theater for me, something beyond the regular reality, something that I could get into and transcend and become something other than myself.
I must tell you that I should really like to think there's something wrong with me- Because, if there isn't, then there's something wrong with the world itself-and that's much more frightening! That would be terrible. So I'd rather believe there is something wrong with me, that could be put right.
We live in a very mollycoddled society where the slightest bit of discomfort is seen as wrong, but that discomfort is there for a reason. It's supposed to trigger some form of action, some form of change, a realization of a truth - something, and I think the self-help world has you believing that you should be happy all the time.
Take the stupidest thing you've ever done. At least it's done. It's over. It's gone. We can all learn from our mistakes and heal and move on. But it's harder to learn or heal or move on from something that hasn't happened; something we don't know and is therefore indefinable; something which could very easily have been the best thing in our lives, if only we'd taken the plunge, if only we'd held our breath and stood up and done it, if only we'd said yes.
I simply can't do one-word message replies: Yes. Ok. No. Sure. Cool. None of these are options for me. I must write something extra. Something personal. I put kisses and emoticons. Emoticons, by the way, are my very best friends. They have removed all the pressure of thinking up something personal to say.
The whole world has become a crowded theater. You could say something here in New York and have it be heard in Afghanistan and potentially trigger riots and it may be something that to you was innocent or was in jest or was satirical and it's taken out of context. I mean, a joke, a tweet or a blog post can make it halfway around the world before the context gets its boots on.
I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
What I do think is important is this idea of a 'privacy native' where you grow up in a world where the values of privacy are very different. So it's not that I'm against privacy but that the values around privacy are very different for me and for people who are younger than my parent's generation, for whom it's weird to live in a glass house.
I am concerned about the erraticness of the dollar. The dollar is up, the dollar is down. We print a lot of dollars. The dollar gets devalued. That is really the concern. If people think the gold price up and down is a reflection of something wrong with gold, no - I say it is something wrong with the dollar.
Something was wrong with a world where people came and went so easily.
Summers was simply a master explainer, able to deftly boil down the complexities of economic and financial, and to put them in terms the non-expert could understand. He was brilliant at cultivating a sense of control, even as events spun far beyond what could be managed with any certainty. He could will into being the confidence that eluded others, those less self-assured and, maybe sensibly, on humbler terms with the world.
Often, some people dress something up to make it sound scientific, use scientific words, call themselves doctor something-or-other, and then you look them up, and they're trying to make it sound like something it's not. There's this entire field that's adding the word 'quantum' to everything. It doesn't even make sense in that context.
Whatever meaning 'Annie's Song' had for me on a personal level, there was also a larger context. It could just as easily have been about love for a brother. Or a father. Or a friend. It could just as easily have been a prayer.
I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.
There are people who can look out for other human beings; there are people who can speak up when something is not right and say, 'This is wrong, and something should be done.'
Whether or not belive in Fate comes down to one thing: who you blame when something goes wrong. Do you think it's your fault - that if you'd tried better, worked harder, it wouldn't have happened? Or do you just chalk it up to circumstance? I know poeple who'll hear about the people who died, and will say that it was God's will. I know people who'll say it was bad luck. And then there's my personal favorite: They were just in the wrong place at hte wrong time. Then again, you could say the same thing about me, couldn't you?
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