A Quote by Kristen Stewart
If I took perfect pictures all the time, the people standing in the room with me, or on the carpet, would think, 'What an actress! What a faker!' That thought embarrasses me so much that I look like s**t in half my photos, and I don't give a f***. What matters to me is that the people in the room leave and say, 'She was cool. She had a good time. She was honest.'
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I have been criticized a lot for not looking perfect in every photograph. I'm not embarrassed about it. I'm proud of it. If I took perfect pictures all the time, the people standing in the room with me, or on the carpet, would think, 'What an actress! What a faker!'
She looked at him then, but his image blurred behind tears that swelled into her eyes. She must leave. She must leave this room, because she wanted to hit him, as she had sworn she never would do. She wanted to cause him pain for taking a place in her heart that she wouldn't have given him if she'd known the truth. "You lied to me," she said. She turned and ran from the room.
There were times I wouldn't leave my room for weeks and sometimes missed school because I hated how people would look at me. But my older sister helped me find the positive: She used to show me pictures of Alek Wek to say, 'See! You can be a model if you want!'
I was 16 and standing on Tottenham Court Road when this woman came over and asked me if I was an actress. She wanted me to audition for an online drama she was directing. I had time to kill, so I thought, 'Why not?'
I love my wife. We've had a few slings and arrows across the room, but I'm not prepared to give in, you know? People say she saved my life, but at the same time, I saved her life, as well, I think. She's a great mother, she's a great wife, she's a great worker, she's a great manager. She's just great.
When you think Selena Gomez, you think 'celebrity.' But really, she does so many things for me. She's very caring. Before she goes on stage, she's a goofy girl. She's fun-loving and totally lovable, which I say in the most honest way. She's not even a celebrity to me; she's just a really cool person.
You sure about this?" I asked Thalia. She turned to me. "Amaltheia leads me to good things. The last time she appeared, she led me to you." The compliment warmed me like a cup of hot chocolate. I'm a sucker that way. Thalia can flash those blue eyes, give me one kind word, and she can get me to do pretty much whatever.
I was the first person that had been so kind to Iman Abdulmajid. As time went on, and she became successful, signed with an agency, when she had to make big decisions, she wouldn't always talk to an agent, she'd ask me. I'd give her good advice and she'd be on her way. When I had ideas to do things like the Black Girls Coalition, I would always talk to her, she always loved my ideas. She trusts me.
I asked a girl who came from America to England, when I was only English, and she admitted she had been to a drama school. And I said, "What did they teach you?" And she said, "They taught me to be a candle burning in an empty room." I'm happy to say she was laughing while she said it, but she meant it. I've never learned to be a candle burning in an empty room. So I go on the screen, and I say whatever I'm told to say.
What was toughest for me in writing "Trust," was reliving it, turning and facing this. We move on and we don't move on, you know? She's still there - and by "she" I mean me - caught in that windowless room, that bad bargain and that violation. No one can touch me, sexually, without activating that memory. But I had walled, I thought, that time off. I say that and then want to say "and I got off lightly"!
I want Maggie Gyllenhaal. I don't know why. I don't think she necessarily looks like me or acts like me, I just think she's a cool actress and she could play me, so there you go.
People tell me all the time when they meet me, in comedy, they say 'You have that type like Sofia Vergara; you can be like her.' She's beautiful, but she can be ugly, too; she can make ugly faces. She doesn't care. She's very outgoing.
When I was 14, a lot of people said, "She's such a good actress, she loves theater, she looks like a woman, she should consider moving to L.A. and trying to do this professionally." My parents were hesitant, but they would take me.
My mother helped me to get past that. She was always there for me, until she dies. I remember she told me once, about big hearts and small hearts, and that not everyone could be blessed with a big one that had room to care for a lot of people. She promised me that mine was big, and that I was the lucky one for it.
And there she was, alone and walking out in the cornfield while everyone else I cared for sat together in one room. She would always feel me and think of me. I could see that, but there was no longer anything I could do. Ruth had been a girl haunted and now she would be a woman haunted. First by accident and now by choice. All of it, the story of my life and death, was hers if she chose tot ell it, even to one person at a time.
Audrey, it seems to me, never strove or hoped to leave a lasting legacy with her films - she was far too modest for that. But what I think she would have wanted, had she been given more time, would have been to continue her work for children because she knew that is a task with so much to be accomplished.
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