A Quote by Kristen Welker
To have come here as an intern for the 'Today' show, to shoot that reel - I looked so serious. To be terrified like that and then to come and sit at this desk, to sit next to my friend Peter Alexander every Saturday, it is the honor of a lifetime.
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Writing helped to have jobs that involved running around, pushing things like dish carts and wheelbarrows. It would be hard to sit at a desk all day, and then come to sit at another desk. Also, it helps to abandon hope. If I sit at my computer, determined to write a New Yorker story I won't get beyond the first sentence. It's better to put no pressure on it. What would happen if I followed the previous sentence with this one, I'll think. If the eighth draft is torture, the first should be fun. At least if you're writing humor.
There was a sergeant at a desk. I knew he was a sergeant because I recognized the marks on his uniform, and I knew it was a desk because it's always a desk. There's always someone at a desk, except when it's a table that functions as a desk. You sit behind a desk, and everyone knows you're supposed to be there, and that you're doing something that involves your brain. It's an odd, special kind of importance. I think everyone should get a desk; you can sit behind it when you feel like you don't matter.
These opportunities don't come around too often. It's quite an honor and a privilege to be able to sit here today saying that I'm a part-owner of an NFL team.
The way we work at Pixar is we write the script, but then we quickly move on into story reel, which is basically like a comic-book version of the film. And then we do our own dialogue and music and sound effects, all in an effort to be able to basically sit in the theater and watch the movie before we shoot it, essentially.
I had something called the back of the chair test. Where I sit, we don't sit like you and I do. I can see a sliver right behind them and they come out and they sit like this like god students and they don't touch the back of the chair.
I couldn't have spoken like this yesterday, because when we've been apart, and I'm looking forward to seeing you, every thought is burnt up in a great flame. But then you come; and you're so much more than I remembered, and what I want of you is so much more than an hour or two every now and then, with wastes of thirsty waiting between, that I can sit perfectly still beside you, like this, with that other vision in my mind, just quietly trusting it to come true.
Always play to the cheap seats. That's where the critics sit. The people who sit up front don't come to hear you play; they come to sit up front.
I think I'll go over and introduce myself to that little red-haired girl. I think I'll introduce myself, and then ask her to come over and sit next to me. I think I'll ask her to sit next to me here, and then I think I'll tell her how much I've always admired her... I think I'll flap my arms, and fly to the moon.
My first job was being a page at 'The Tonight Show.' I saw Jack Paar come out one night and sit on the edge of his desk and talk about what he'd done the night before. I thought, 'I can do that!' I used to do that on a street corner in the Bronx with all my buddies.
I sit in my room at my desk, looking out the window to the yard and waiting for a plot to come to me, to rise slowly in my mind.
Sometimes the songs just come to me. I don't sit down to write like you'd sit down to make a pair of boots.
My desk is right next to my bed. So I sit on my bed. I write in a big notebook which is on the desk. And if I feel drowsy, I just have to slide into bed.
Now, metaphorically, I sit at any table that I want. I can sit with the jocks, I can sit with the gang members, I can sit with the politicians, I can sit with the CEOs. My brand can fit anywhere.
I have high heels in my bags if I need them for a shoot. But I like sneakers. I like being comfortable. I like to sit on the floor with my team and work. I don't like to sit in fancy chairs. It's really important to the culture of my company that people understand who they're working for.
Mere physical sitting is not enough. You have to sit carefully and attentively. Let your body and breathing sit. Let your mind and emotions sit. Let your blood circulation sit. Let everything sit. Then your sitting becomes indestructible, immovable.
We sit silently and watch the world around us. This has taken a lifetime to learn. It seems only the old are able to sit next to one another and not say anything and still feel content. The young, brash and impatient, must always break the silence. It is a waste, for silence is pure. Silence is holy. It draws people together because only those who are comfortable with each other can sit without speaking. This is the great paradox.
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