They couldn't have a little kid occupying an important spot on the front row, so I sat in the back where all the models changed clothes. I remember vividly the rustling and the rush of the fabrics of the clothes and the swoosh of textures and color as they went by. I was in the back, but I had a front-row seat, in my opinion.
I'm in the storytelling business, and so you're always drawn to the unusual. And early on, I discovered that's the easiest way to tell stories... If you come up through a newspaper as I did, your whole goal is to get a story on the front page, and you only get something on the front page if it's unusual.
You'll never see me in the front row of a fashion show. I'm uninterested in it; I find it trivial and banal and boring.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
Hue does not refer to how light, dark, or intense, but only what kind of color: what hue. It takes all three aspects to make a color, therefore 'red' is not a color, but only one aspect, the hue, of some partially defined color.
I have been incredibly proud and incredibly humbled to have had a front-row seat in covering this election [2016]. I'm working the hardest I've ever worked. I'm on the air six days a week...covering this election has been historic and amazing, and it has helped me grow so much [as a journalist].
I never represented glam. That's the thing, you'll never see me in the front row of a fashion show. I'm uninterested in it. I find it trivial and banal and boring.
I want the dude in the top row to feel like he's down there on the front row in a club.
I learned that I was able to focus. I've always thought of myself as somebody who is like either it's there or it isn't there. I really worked at this, and I focused, and I was able to replace self-doubt with focus. That was something new for me to say self-doubt is there, but it does not need to be in the front row. You can ask it to take a back seat and replace that front row seat with focus.
If you're a journalist - and I think, on some level, I'm a journalist, and proud to be a journalist, or a documentarian, however you want to describe it - part of what I do has to be the pursuit of the truth.
And I've been incredibly lucky to have a long career in journalism that has given me a front-row seat to some of the most important moments in modern American political life.
It was noted long ago that the front row of burlesque houses was occupied predominantly by bald-headed men. In fact, such a row became known as the bald-headed row. It might be assumed from this on statistical evidence that the continued close observation of chorus girls in tights caused loss of hair from the top of the head.
For me, each nuance of a color is in some way an individual, a being who is not only from the same race as the base color, but who definitely possesses a distinct character and personal soul.
The funny thing is, when I ask people with dark skin if they would change their color, they tell me no, and when I ask women if they would rather be men, they tell me no, and I get the same response when I ask people with unusual anatomies if they would take a magic pill to erase their unusual features.
I consider myself to be a guerrilla journalist. Some would call me a provocateur, but I am a journalist who uses ambush and undercover tactics to uncover the truth and expose people for who they truly are.
My advice for any entrepreneur or innovator is to get into the food industry in some form so you have a front-row seat to what's going on.