A Quote by Kristian Bush
I don't remember consciously not being able to play an instrument. It's been kind of like a language for me.
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For me, the NFL is the thing that's always been, kind of somewhat like the Heisman, it's been a dream as a kid to be able to have an opportunity to even be talked about being able to play in the NFL.
I picked up the bass kind of postpunk-style. There's a real art to not learning how to play an instrument and being able to still play it.
Freedom is the thing that has attracted me most to jazz. Within improvisation, you're really able to express something that maybe I'm not so adept at expressing via language. So I develop a language through the instrument to tell stories. So it's kind of this freedom of thought and freedom of expression that kind happens.
I'd love to play a villain in a movie, the kind of bad guy you would never think of me being able to play. Like most people, I have a darker side I'd like to explore onscreen.
I do so play an instrument! I play air! I play the air with my fingers, and I'm in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.
Music was a big outlet for me. Being able to play an instrument and sing was definitely a good way for me to escape things I was dealing with: family issues, growing up, being a kid and not knowing what I wanted to do with my life.
In the process of them developing this instrument, I've been playing the melodica in the style I would like the harmoniboard to be played, which is a mix between a harmonica and keyboard. I play with trumpet style techniques. I really like the mobility of being able to step off the piano and bring the music to the audience.
I'm not an actor who consciously accesses bits of my life, in order to play parts. Obviously, you don't need to have been a father to play one, otherwise everyone who's been a father would be able to act.
Me not being able to play the way that I can play, that's when you kind of know it's that time.
I never know who's influencing me at any time. I mean, I can take a play by Brecht and adapt it, I'm consciously adapting that play, or, as I've done with the Greek classics, Euripides and Oedipus, and I'm consciously adapting that play. Whether it influences me or not, I think it's the critics, the analysts who have to decide that. Me, I don't feel that I'm under the influence of any such sources.
I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.
I remember the 'Jenny McCarthy Show' being kind of funny, and I remember her being just like one of the boys. I remember her being counter to everything I thought girls should be on TV, or whatever. I kind of liked her vibe.
I despise people who revel in the ignorance of not being able to play their instrument.
The piano is an instrument I've always loved and so I taught myself. As a rapper, who wants to produce more, being able to play by ear helps a lot because I know where I want an instrument to turn or how I want it to sound without having to do too much work.
It is possible to enjoy the Mozart concerto without being able to play the clarinet. In fact, you can learn to be an expert connoisseur of music without being able to play a note on any instrument. Of course, music would come to a halt if nobody ever learned to play it. But if everybody grew up thinking that music was synonymous with playing it, think how relatively impoverished many lives would be. Couldn't we learn to think of science in the same way?
I've always been obsessed with drums. They fascinate me. Any other instrument - nothing. I play acoustic guitar a bit. But it's always been drums first and foremost. I don't reckon on this Jack-of-all-trades thing. I thing that felling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts.
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