A Quote by Kristian Bush

I believe that melody is such a lost part of music and country music. People are either scared of it or not using all the colors that are available. — © Kristian Bush
I believe that melody is such a lost part of music and country music. People are either scared of it or not using all the colors that are available.
The melody seems to have gone to the country. The country music seems to still have melody and interesting lyrics. But pop music, you've got to really listen hard to somebody who's doing a good melody and a good lyric.
I think I was annoyed going through the '90s just as a guy who loves music. There wasn't a lot of music for me. Everything was groove driven. We lost the plot with the melody. There's no more melody.
Melody was banned from music by the composers of the avant-garde. I was unique among them in always using and writing melody and so I think this is why I've shared my music, why they can have also pleasure, not only an interesting structure.
The only form of music is melody, without melody music is not feasible, and music and melody are quite inseparable.
There is no music in a “rest” that I know of, but there's the making of music in it. And people are always missing that part of the life melody.
I think the [music] industry really suffered from music being available online because it made young people feel, "why should you pay for music, if it's so readily available for free?"
I'm thrilled that country music fans like my stuff, but so do a lot of people outside of country music, people who just love music. My goal is more to reach music lovers than to appeal to a genre. I love country music, and I'm proud to represent it, but I don't obsess over it as a category.
In terms of exploring an identity in the country music world, what I realized very quickly was that there are people who have been performing country music since they were kids. It's very much a part of who they are; very much that jazz and blues are a part of who I am, because I grew up listening to and playing that kind of music.
There's no music in rest, but there's the making of music in it. And people are always missing that part of the life melody, always talking of perseverance and courage and fortitude; but patience is the finest and worthiest part of fortitude, and the rarest, too.
My music comes from country music. Merle Haggard is God, and I do believe that. I'm not too tuned in to country music. I don't know who Brooks and Dunn are. I like Shania Twain, though!
Music is creation. In reggae the lyric, the music itself, arrangement, that vibe, such melody - everything within the music moves the people, understand?
Even though I've had 20-some country No. 1 records, I still have a hard time convincing a lot of these people in the Country Music Association and the Academy of Country Music that I love country music.
I play until my fingers are blue and stiff from the cold, and then I keep on playing. Until I'm lost in the music. Until I am the music--notes and chords, the melody and harmony. It hurts, but it's okay because when I'm the music, I'm not me. Not sad. Not afraid. Not desperate. Not guilty.
I love melody, and that's what I love about pop music. The words can become what they are through a special melody. I learned to play guitar by myself, and writing songs came with playing guitar, so the writing isn't one part and the music something else.
Tons of people inspire my music, and now when I do an ­interview, I'm scared to say who they are. I'm scared to give gratitude to the people that, if I hadn't heard their stuff, I wouldn't be able to make music.
I have so much respect for the genre of country music and for all the greats that have been a part of it. I'm a country singer, I'm a country fan, and I'm a student of country music.
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