A Quote by Kristian Bush

Sugarland was a band we started to try to make things better. It was in the aftermath of 9-11; it was in the aftermath of my mother dying... there was a lot of weird stuff that had gone on that made you want to start something good.
Our task, in the aftermath of September 11, was and continues to be the transformation of the effects of evil into something beautiful and good.
In the aftermath of September 11, and as the 9/11 Commission report so aptly demonstrates, it is clear that our intelligence system is not working the way that it should.
In the aftermath of 9/11, people had not a good time, but a deep, profound, rousing time, woke up from their ennui and isolation and trivialization to feel engaged, connected, purposeful, ready to give, to engage, to care, to learn.
When we started Aftermath, we had something like 20 artists, and it was driving me crazy. I couldn't sit down and focus on any of it. Plus, it was doubly hard because you ended up crushing these people's dreams when you had to let them go.
I had friends who died in the 9/11 tragedy; some of my friends lost family members in the aftermath of Godhra.
Obama administration officials who were in key positions on Sept. 11, 2012, acknowledge that a range of mistakes were made the night of the attacks on the U.S. missions in Benghazi, and in messaging to Congress and the public in the aftermath.
Two things Florida can teach the other 49 states: how to make a good margarita and how to deal with the aftermath of a hurricane.
Together with the rise of the internet, September 11 and its aftermath has changed most of our lives.
I am not sorry the CIA went to the edge of the law in the aftermath of 9/11 to prevent further mass-casualty attacks on the U.S.
'I Am Singh' is about Sikhs, who, despite living in the U.S. for generations, were mistaken for Arabs and Afghans due to their turbans and became victims of racist violence in the aftermath of 9/11. The film takes a look at the discrimination against Sikhs post 9/11.
If the 20th century was marked by travel - planes in flight - then the events of 9/11 ushered in the age of the burning aftermath.
I was writing - at least beginning to write Boston Boy and there were a lot of holes in my so-called research. I didn't know the towns my mother and father came from in Russia. I didn't know the name of the clothing store I went to work for when I was 11 years old. I didn't know a lot of things. So I called for my FBI files, not expecting to have that stuff there, but I wanted to know what they had on me.But they did have the towns my mother and father lived in in Russia. They had the grocery store I worked in when I was 11 years old.
I wish I had been more mature. I wish I had handled the immediate aftermath of the accident involving my family better.
I learned early that crying out in protest could accomplish things. My older brothers and sister had started to school when, sometimes, they would come in and ask for a buttered biscuit or something and my mother, impatiently, would tell them no. But I would cry out and make a fuss until I got what I wanted. I remember well how my mother asked me why I couldn't be a nice boy like Wilfred; but I would think to myself that Wilfred, for being so nice and quiet, often stayed hungry. So early in life, I had learned that if you want something, you had better make some noise.
I have long held that many of the writers and artists working in the aftermath of 9/11 have presented a faux familiarity with the so-called terrorist mind.
I was imprisoned in the aftermath of the 11 September 2001 attacks, when Egypt's state security was rounding people up in unprecedented numbers.
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