A Quote by Kristian Nairn

I think if everyone had a little more Hodor in them, it'd be a nicer world. — © Kristian Nairn
I think if everyone had a little more Hodor in them, it'd be a nicer world.
You know, life hasn't changed that much for me. It's just, everything's gotten a little nicer. I drive a nicer car. I live in a nicer house.
I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced-although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world-what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done.
Most people would say the meaning of life is to make the world a little more beautiful, or nicer, or more interesting. But how? These days, our main answer to that is: through work.
I don't think anyone, no matter what, can find perfect happiness until they understand exactly who they are and how every little thing they do can affect the world around them. I think perfect happiness would be a world where everyone is constantly striving to understand everyone else.
The weight of the world isn't on their shoulders as much in Canada as opposed to America. Americans' perception of it is, "Oh, it seems like a pretty nice place to live. And everyone there is nice. So if people around you are nice, you have a tendency to be nicer." What a wonderful lesson for the rest of the world: Just let a little kindness rub off on you.
People ask why I do monochromatic clothes; the reason is because I'm thinking in proportion to the world. In this room, your head is going to look so much more interesting if it's on a monochromatic column. Whereas I think people think of outfits and gets a little too fussy, a little too detailed. I'm always thinking of the line of a person standing with their head in a room and I always feel like a stalk, or a stem, or a pillar is nicer. I always think of everything architecturally.
A lot of people ask questions that they don't want to answer themselves, and if we're honest about the intimacy that we have with our parents, you wish them the best and you wish them the worst more than anybody else in the world. I think everyone has had a moment in their life where they wished a parent ill, and I think it's perhaps a very romantic idea that that doesn't happen.
I'm being given a little bit of credit now as being a viable collage artist, which some people think is ridiculous. Like this guy who said, "Wait a minute: You had an art show where you just cut out pictures and then glued them back together?" And I said, "Yeah, that's pretty much what it is." There's more to it than that. It's about having the eye for detail, moving things from one environment and reassembling them into new environments....Everyone can do it, but not everyone can do it well.
I think I would have written more books if I'd had fewer kids or had them earlier, but I think the books in general would have had a little less spark to them.
Its Christmas Eve! Its the one night of the year when we all act a little nicer, we smile a little easier, we cheer a little more. For a couple of hours out of the whole year, we are the people that we always hoped we would be.
There's no question that a vinyl record is a lot nicer than a CD. It's nicer to hold in your hands, you can do more with it.
I think of myself as kind of a hippy. Everyone around me says that's not the impression they get. They think I'm sassy. Apparently, I think I'm nicer than I really am.
Little kids grow up discovering the world that's shown to them and then when you become a teenager, it kind of shrinks a little bit. I think when you get past that point, one of the important things is that you see there is more to the world than yourself.
I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'
I think we've all been kind of... everyone's been hurt, everyone's felt loss, everyone has exultation, everyone has a need to be loved, or to have lost love, so when you play a character, you're pulling out those little threads and turning them up a bit.
There's no one else like Hodor on 'Game of Thrones.' There's no other character with that warmth, humanity, and a little bit of comic relief.
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