A Quote by Kristian Nairn
I would relish a role that really shows a bit of background into how the bad guy got the way he is... a little more complex than cackling behind a hooded cloak.
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It's very true that you can be both selfless and selfish at the same time. What we tend towards, particularly in filmmaking, is this binary sort of, 'This is a good guy, this is a bad guy.' And I quite like the fact that life is a bit more complex than that.
That song is a story that shows how easily you could get slipped into being labeled as the bad guy, even though what you really trying to do is tell the bad guy to leave you alone.
I love telling stories, but I also am more aware now of how complex reality is and how difficult it is to really explain what happened or how I felt. Maybe that sometimes makes me a little bit vague, because I don't want to really put my finger on anything or set it in stone.
I'm talking about people who claim to love people. I'm talking about people who claim to love and represent the little guy. They're the people that tell us that if not for them, the little guy would be trampled on daily. Well, if they really cared about the little guy, if they really cared about the little guy, and want the little guy to have an improved life, more contentment, more happiness, then the United States is what you would emulate. You certainly wouldn't tear it down.
To be honest, the first time round, I didn't think 'Fame Academy' was the worst premise in the world. You got people on, and they would write songs and develop themselves as artists. But then, instead of getting a little bit more credible, it got a little bit more ridiculous.
If we're honest, most of us would accept that a bad boss is a little bit like a bad father or a bad husband ... you find that he tends to do more good than harm. He might be a bad boss but at least he's employing someone while he is in fact a boss.
There are a lot of people that have marginal powers, like a guy who levitates a little bit off the ground, or someone who can breathe a little bit of fire, or someone that can freeze a little bit of something, if it's really close to him, you say, "Well, what do you do with that? How is that useful?" There is so much of it around you and you're seeing it, it becomes the important thing in society.
I've never gone out with a guy who is older than me by more than a couple years. Usually it's my age, a little bit older, or even a little bit younger. But not a 15- or 20-year difference.
I became more curious about the story behind the story [in the House of Cards]. So what was really going on behind the headline? And it's a little bit sad that that show, it doesn't seem so much like entertainment the way it did back when we started doing it.
I'm intrigued more and more by complex female characters because I'm more in touch with myself. I realize how screwed up or complex I am. And I'm flattered that, little by little, more and more directors want to meet me.
There were a couple of years where I got a bit lost - I went out too much, I was a bit heartbroken, thought I was a bit more of a dude than I really was. I would love to go back and have a strong word with myself.
I have always tried to have a message, not to be a preacher, but a message that shows it's better to be a good guy than a bad guy, and I try to make it clear that doing the right thing is more attractive than not.
There are shows, a lot of small cable shows like Breaking Bad, where in the general population nobody watches them really, but everybody in Los Angeles in the industry watches them, and to get a small role on a show like that actually, in some respects, advances your career more than having a huge hit role on a genre show because they are somehow dismissed as a secondary market in this industry
I was a Marvel kid, and I would have to say that Spiderman is my all-time favorite character. As I got older, my tastes developed a little bit more, and I would follow certain writers; like, I really got into Grant Morrison. From the time I was 5, I was into comic books. From the time I learned how to read, it was all about comic books.
There is a little bit of that schoolyard attitude of, it's one thing for a guy your own size to mouth off to you, but if there's a little guy, you should just smack him around. And it's probably bad advice in the schoolyard. It's certainly not a good way to run a foreign policy because even when you are dealing with a non-peer, militarily, war is complicated.
In most shows, there's usually a hero or a protagonist, and even if there are multiple heroes or protagonists, most shows try and make it so you really always know who's the good guy and who's the bad guy.
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