A Quote by Kristian Nairn

I think that's why 'Game of Thrones' is such a watercooler talking point: because there are these moments that are beautiful and terrible at the same time. — © Kristian Nairn
I think that's why 'Game of Thrones' is such a watercooler talking point: because there are these moments that are beautiful and terrible at the same time.
Why is 'Game of Thrones' the most pirated show in the history of TV? Because people can't get it fast enough, that's why.
It's not like I love dragons! Only on 'Game of Thrones!' Our dragons are amazing, and they look really real. But I think after 'Game of Thrones,' I won't be a fantasy fan.
There's a lot of 'Game of Thrones' stuff used in a lot of pastiches. I don't know if I've seen a Lego 'Game of Thrones' yet, but there must be one. And there's an animated thing that's been going on for quite some time, and Littlefinger is a newsreader in it, and it's great.
Everyone has a breaking point, turning point, stress point, the game is permeated with it. The fans don't see it because we make it look so efficient. But internally, for a guy to be successful, you have to be like a clock spring, wound but not loose at the same time.
My kids are always like, 'Why do people always want to take pictures with you?' and I'm like, 'Because I'm your Dada, and you're my daughter. That's why.' It's definitely mostly because of 'Game of Thrones.'
It’s the same reason I don’t get Hooters. Why do we need to enjoy chicken wings and boobies at the same time? Yes, they are a natural and beautiful part of the human experience. And so are boobies. But why at the same time?
I think there's a reason why fans have been turned off a bit by our game. That's because the game looks the same no matter where you go.
The most amazing set where I've shot 'Game of Thrones' is definitely Croatia, in Dubrovnik. It's such a stunning country with lots of good watersports there as well. Just a beautiful, beautiful place.
One of the most beautiful things about 'Game of Thrones' is it's told from so many different points of view, and these characters can convince you that what they're doing is right. But they're only showing you a bit of the picture, and when you see it from another character's point of view you may switch allegiances.
I think I started out okay but with AIDS came a great deal of silence about gayness and this period of lose and morning, but at the same time a kind of feeling like you wanted to get back into the closet because being gay was such a terrible thing at that point.
I just think that beautiful people don't have it as hard, you know? They just don't know what rejection's like. That's why super models aren't good actresses, because they don't need anything. If someone is beautiful and she's needy, she's probably had a terrible childhood.
When good media takes a bounded form, and comes once in a period of time, it begs to be consumed as a whole - it creates an engaging experience. We don't dip in and out of an episode of 'Game of Thrones,' after all - we take it in as a whole. Why have we abandoned this concept when it comes to publications, simply because they exist online?
There's no way the writing staff of 'Game of Thrones' haven't read 'The Art of War.' There's definitely an influence on 'Game of Thrones' from this book in both a general way and on the character of Lord Baelish and his strategies.
People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
All opening moves were the same, like in chess. You don't have to come up with anything new, there's no point, because you're both after the same thing anyway. The game soon finds its own way and it's only at that point that you need a strategy.
I think we're always trying to avoid tropes. And I think that "Game of Thrones" has almost made killing people a cliche. For us, it wasn't about that. For six episodes, it's hard to invest in people, and I think when you kill a main character on television it really needs to mean something. So we certainly had talked about that, and I think we managed to juggle the ball to make a gripping, interesting and compelling finale. We feel that we didn't have to go there at this point because we had such few episodes.
This site uses cookies to ensure you get the best experience. More info...
Got it!