A Quote by Kristin Armstrong

I realize that I am typically vulnerable only when and where and how much it suits me. I can choose my writer words and even go back and edit. — © Kristin Armstrong
I realize that I am typically vulnerable only when and where and how much it suits me. I can choose my writer words and even go back and edit.
I edit as I go. Especially when I go to commit it to paper. I prefer a typewriter even to a computer. I don't like it. There's no noise on the computer. I like a typewriter because I am such a slow typist. I edit as I am committing it to paper. I like to see the words before me and I go, "Yeah, that's it." They appear before me and they fit. I don't usually take large parts out. If I get stuck early in a song, I take it as a sign that I might be writing the chorus and don't know it. Sometimes,you gotta step back a little bit and take a look at what you're doing.
I don't believe in writer's block. Most of writer's block is having too much time on your hands. My mantra is that you can always edit a bad page; you can't edit a blank page.
It seems that the more places I see and experience, the bigger I realize the world to be. The more I become aware of, the more I realize how relatively little I know of it, how many places I have still to go, how much more there is to learn. Maybe that's enlightenment enough - to know that there is no final resting place of the mind, no moment of smug clarity. Perhaps wisdom, at least for me, means realizing how small I am, and unwise, and how far I have yet to go.
Then a year would go by and I'd realize I love the acting too much and it is my identity and I don't know how to be anything but an actress. It's who and what I am, so I always come back.
I would never sit and write a song in front of anyone, because you're so vulnerable. I don't know at what point in the process that it becomes acceptable to pass them on. When a song wants to be written, it will be written. When it does come, I will very rarely go back and edit lyrics. I'm quite a rational human being, and the only part of my life that I can't rationalise, or can't make sense of, is how a song gets written or why.
Loving someone and having them love you back is the most precious thing in the world. It's what made it possible for me to go on, but you don't seem to realize that. Even when love is right there in front of you, you choose to turn away from it. You're alone because you want to be.
I began to ask two questions while I was reading a book that excited me: not only what was going to happen next, but how is this done? How is it that these words on the page make me feel the way I'm feeling? This is the line of inquiry that I think happens in a child's mind, without him even knowing he has aspirations as a writer.
You don't realize how language actually interferes with communication until you don't have it, how it gets in the way like an overdominant sense. You have to pay much more attention to everything else when you can't understand the words. Once comprehension comes, so much else falls away. You then rely on their words, and words aren't always the most reliable thing.
When I look back, I don't know how to put into words how much I owe the game of cricket - it changed my life, made my life and helped mould me into the man I am today.
I got so discouraged, I almost stopped writing. It was my 12-year-old son who changed my mind when he said to me, "Mother, you've been very cross and edgy with us and we notice you haven't been writing. We wish you'd go back to the typewriter. That did a lot of good for my false guilts about spending so much time writing. At that point, I acknowledged that I am a writer and even if I were never published again, that's what I am."
When we believe the best of people, we let go of each thing they do that is hurtful to us. And we choose to think things like, 'I don't believe they meant to hurt me.' 'Maybe they're having a bad day or don't feel well.' 'They probably don't even realize how they sound.'
I like to play with my back to the goal, but my colleagues have to tell me when I'm alone or how much room I have so I can choose to pass or to go straight for the goal.
Because of how I am on the court, people think I'm wild and crazy. But really, I'm a kick-back guy, so Seattle suits me fine.
How do people choose their final words? Do they realize their gravity? Are they fated to be wise?
I do like a song that can look good on a page without even being sung. I edit and edit and edit.
Other than my sexuality, I am vulnerable regarding my physical appearance, as I am not what people considered ideal by most standards. For the entertainment business, I am not the body type of what is typically cast for television or movies.
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