A Quote by Kristin Chenoweth

I wanted to honor [George Gershwin]. He's a great American songwriter. — © Kristin Chenoweth
I wanted to honor [George Gershwin]. He's a great American songwriter.
The Gershwin legacy is extraordinary because George Gershwin died in 1937, but his music is as fresh and vital today as when he originally created it.
I wanted to grow up to be George and Ira Gershwin from the age of about six.
Ohhhso hard to say, but George Harrison was pretty darn special. Such a great guybeautiful person and amazing songwriter/musician. A real honor for me to have played on his last tour
I wanted to be so many different things in the beginning - I wanted to be a rocker, I wanted to be a great songwriter, I wanted to be a great melodic singer.
My grandma was a church organist for 40 years, and she got me into jazz music and great songwriters, Harold Arlen, George Gershwin, all those folks. I can't do it, but I have a profound respect for it.
I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs.
I just love all the music. My grandma was a church organist for 40 years, and she got me into jazz music and great songwriters, Harold Arlen, George Gershwin, all those folks. I can't do it, but I have a profound respect for it.
[George Michael] is a great songwriter and he makes very classy videos, like me.
George Gershwin died on July 11, 1937, but I don’t have to believe it if I don’t want to.
The U.S.S. George H. W. Bush is a great thing in my life. It's amazing. A great honor.
He adored New York City. He idolized it all out of proportion... no, make that: he - he romanticized it all out of proportion. Yes. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.
For many years, I've always been attached to what they call the Great American Songbook, and Kern was a great leader of that because he had the classical training of Europe. He impressed all the greatest composers, like Cole Porter and Gershwin. They couldn't believe he was writing the songs he was writing.
There's a musicologist named Peter van der Merwe whose theory is that the blues generates tune families, and that their similarity to each other is in fact part of the pleasure you take in them - rather than the differentiation in which Jerome Kern and George Gershwin indulged to great effect.
Not to dismiss Gershwin, but Gershwin is the chip; Ellington was the block.
I think we achieved what we wanted to achieve. It was a short time period but we had broken America, we had been a worldwide success, and certainly George, as a songwriter, was outgrowing Wham!
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
This site uses cookies to ensure you get the best experience. More info...
Got it!