A Quote by Kristin Gore
In my free time, I'd written 'Sammy's Hill' - it had started out as a play. I just did it for myself.
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My parents were enthusiastic fans of 'Sammy's Hill.' But they think 'Sammy's House' is a better book.
I consciously decided to make both 'Sammy's Hill' and 'Sammy's House' more of a warm satire and not go the route of writing a dark and bitter book about D.C.
Sammy Sosa? Everybody knew who Sammy was, paid attention to Sammy. I had already signed in pro ball when he had the great homer year with Mark McGwire in '98. But I followed it, and I was proud of him because he was my countryman. There are a lot of great ballplayers from the Dominican, and he's one of the best.
Sammy was the only one that looked like me, so I naturally gravitated to him. Sammy made it cool to be black at a time when, let's just say it, it wasn't very cool to be black. His name was on the front of the building in lights, and he had to go in the back. But you never saw him sweat.
I think my senior year in high school was when I started wearing Jordans. It was our team rule that we had to play in them so that's when I got - not introduced to them, but got into it. Through the minors I started collecting some, just to wear, and that's when I told myself I want to become a Jordan athlete and did all I could to do it.
When I was out there on the floor, I think I did pretty good for myself... I've never really had enough time to play and actually improve.
I wrote as a kid, but I never wanted to be a writer particularly. I had been drawing and painting for years and loved that. And I meditate, and one time when I was meditating, I started thinking, "Gee Gail, you love stories -- you read all the time. How come you never tell yourself a story?" While I should have been saying my mantra to myself, I started telling myself a story. It turned out to be an art appreciation book for kids with reproductions of famous artworks and pencil drawings that I did. I tried to get it published and was rejected wholesale.
When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
I was very lucky, because when I was at school, I had a great music teacher who would just take out these free-jazz records and play them for me. So it was in my early teens that I started to listen to jazz.
I started writing one afternoon when I was twenty, and ever since then I have written every day. At first I had to force myself. Then it became part of my identity, and I did it without thinking.
It is the only time that I can ever remember the Prime Minister reading out the conclusions of a meeting that did not take place. They were already written before it started.
You learn so much from making mistakes, not even necessarily mistakes that I've made, a lot of the time the films just don't work out because it's a really difficult process. And sometimes there's a certain person underlining process. But I've had an opportunity to work on all different types of films and I have had a lot of opportunities to stretch myself in different ways and now is the time where I get to try and figure out out the roles that I can really play well and play them well.
I've never had a time where I didn't want to do my jewelry anymore. Once I started it, and once I realized I was really doing something I loved, I gave it my heart. When we first started the company, I did it all myself in our living room.
My vision of being a professional, as opposed to being a football player before, has completely changed. Being a pro is doing everything right all the time. It sounds cliche, but if you apply that to strength training, if you apply that to a lot of body work, if you apply that to making good decisions, all the work I did on myself and all the time I spent with therapists and doctors and family, that was my mantra: "Do it right all the time." It started to build momentum, and it started to build up steam. Once I got the opportunity to come back and play, I just kept using that and it helped.
I did take guitar lessons as a teenager, though, and I started to teach myself how to play everything I could play on the guitar on piano, so I had a really weird, non-traditional route to proficiency. I think it probably helped me come at things from a new angle.
I understood I had to be good at school so I could play football in my free time. Usually, by the time I came home from school, I already had all my things ready for the next day, so I could put my bag on the side and go straight out to play football with my friends!
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