A Quote by Kristin Hunter
I don't see black people as victims even though we are exploited. Victims are flat, one- dimensional characters, someone rolled over by a steamroller so you have a cardboard person. We are far more resilient and more rounded than that. I will go on showing there's more to us than our being victimized. Victims are dead.
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Though people are more important than money, I'm not convinced these large sums of money paid out to victims is the best. Listening to the some of the victims, I think we could have avoided a lot of this if the Church had humbly apologized to them, but we tried to bully some of them. I pray the victims are healed.
Every successful competitive practice has victims. The more successful a new method of making and distributing a product, the more victims, the deeper the victims' injury
It occurs to me that there's been a relatively recent tendency in the media to see prostitutes as victims and johns as exploiters. I don't think most prostitutes see themselves as victims or see their clients as exploiters, but that way of seeing prostitutes and johns is pretty common now outside of sex-work circles, and it's more shameful to be the exploiter than the exploited.
On those occasions when he had killed in the dark, he later needed to see his victims' faces because, in some unlit corner of his heart, he half expected to find his own face looking up at him, ice-white and dead-eyed. "Deep down," the dream-victim had said, "You know that you're already dead yourself, burnt out inside. You realize that you have far more in common with your victims after you've killed them than before.
Over and over victims are blamed for their assaults. And when we imply that victims bring on their own fates - whether to make ourselves feel more efficacious or to make the world seem just - we prevent ourselves from taking the necessary precautions to protect ourselves. Why take precautions? We deny the trauma could easily have happened to us. And we also hurt the people already traumatized. Victims are often already full of self-doubt, and we make recovery harder by laying inspectors blame on them.
Black folk, a lot of us lived as victims in a certain part of our history. And we had to really erase that tape. We're not victims. We are citizens.
The true ethical test is not only the readiness to save the victims, but also - even more, perhaps - the ruthless dedication to annihilating those who made them victims.
One of my priorities is giving victims the right to choose different paths to restoration and to healing. It's prioritizing having restitution available for economic harm, having victim services for the trauma and also recognizing that victims are far more than simply pieces of evidence to be used in order to secure a lengthy prison sentence.
For far too long, victims' rights have been discussed only in the context of sentencing. Sentencing is very important, but the debate obscures something much more fundamental: most victims have so little faith in our criminal justice system that they do not access it at all.
Although study after study shows black men are more likely to be victims of crime, rarely do they receive victim treatment. When black athletes are crime victims, the undertone seems to be they somehow were at fault.
It's the first thing liberals notice about people is what group are you in! "What group do I put you in? Are you a woman? Are you lesbian? Are you straight? Are you Native American? Are you African-American? Are you a mix? What are you?" That's how they see people, because that then identifies the victim status they hold. Victims of what? Victims of America! All these people are victims of America, "the white, patriarchal majority." They're all victims of America, as the left sees them.
By and large, serious fiction was the work of victims who portrayed victims for an audience of victims who, it was oddly assumed, would want to see their lives realistically portrayed.
I was keenly aware that I didn't want to draw on too many typically doomed aspects of the fated singer. Whether it's Judy Garland or Norma Desmond, there is this tragic quality to older women that one can revel in, and you want it to be more three-dimensional than that. So it was important for the character to be strong and resilient, because there are so many victims in opera.
People in the West tend to identify with western victims. So even when they think about the Holocaust, they really think about the German or French victims; they're not thinking about the Polish, Hungarian, or Soviet victims.
In all the interviews I have done, I cannot remember one offender who did not admit privately to more victims than those for whom he had been caught. On the contrarty, most offenders had been charged with and/or convicted of from one to three victims. In the interviews I have done, they have admitted to roughly 10 to 1,250 victims. What was truly frightening was that all the offenders had been reported before by children, and the reports had been ignored.
Victims and survivors deserve more than a person seeking a headline.
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