A Quote by Kristin Lehman

The sneak-peeks you get off the top are of them in their real life. You're more invested, you know both of them, and you've already made assumptions. A murder who would murders someone - that makes them immediately bad - but here you see them in a different.
Where constraint breaks people, and mediation makes fools of them, the seduction of power is what makes them love their oppression. Because of it, people give up their real riches for a cause that mutilates them; for an appearance that reifies them; for roles that wrest them from authentic life; for a time whose passage defines and confines them.
I see children as kites. You spend a lifetime trying to get them off the ground. You run with them until you're both breathless. They crash . . . you add a longer tail . . . you patch and comfort, adjust and teach. You watch them lifted by the wind and assure them that someday they'll fly.
You have to be different to make a difference. You cannot change anything by adding more of the same. The greatest spiritual impact is made upon people by someone who is different from them. Others must see someone like Christ in us –- not someone like the rest of the world –- if we are to have any godly influence on them.
You know that thing when you break up with someone and you’re walking around the town where you both live and you’re just really hoping to see them? You know that you’re not supposed to see them, but there’s nothing you want more.
The kind of loving women and men have in them and the ways it comes out from them makes for them the bottom nature in them, gives to them their kind of thinking, makes the character they have all their living in them, makes them then their kind of women and men and there are always many millions made of each kind of them.
Better far off to leave half the ruins and nine-tenths of the churches unseen and to see well the rest; to see them not once, but again and often again; to watch them, to learn them, to live with them, to love them, till they have become a part of life and life's recollections.
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have; it turns people into objects that can be symbolically possessed. Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder - a soft murder, appropriate to a sad, frightened time.
So many of my songs are based on things that either happened to me or to someone I know, but there are also ones where I've written a made-up story. All of them are about very real emotions, and I just find different ways to express them.
I was amongst the virtues like the great Turk in his seraglio of women, and I chose to dwell with that virtue which looked the fairest in my eyes and gave me at that season most pleasure. In short, I made wives of them: I first admired them, then made them my own property, and if they would not submit to my will, I again turned them off and divorced them.
You have to be quite heavily invested in someone to do them the honour of telling them you're annoyed with them.
I'd much rather have AIDS than a baby... They're not that different at all. They're both expensive, you have them for the rest of your life, they're constant reminders of the mistakes you've made and once you have them, you pretty much can only date other people who have them.
Just as hundreds of brushstrokes comprised a finished canvas, people were made up of a lifetime of experiences, both good and bad. And without knowing what someone had endured, it was impossible to truly know them - and accept them - for who they were.
I don't care what someone believes. I don't care what nationality they are. But if someone wants to get off drugs, I can help them. If someone wants to learn how to read, I can help them. If someone doesn't want to be a criminal anymore, I can give them tools that can better their life.
Ever since my children were born, the moment I looked at them I was crazy about them. Once I held them I was hooked. I am addicted to my children sir. I love them with all my heart and the idea of someone telling me I can't be with them, I can't see them everyday. Well, it's like someone saying I can't have air.
The thing I'm obsessed with is really great bad paintings. I have a storage locker full of them and I want to give them their own museum. You don't even know who these artists are - you can buy them at garage sales, antique stores and places like that. They're brilliant because they were done with the intention of being great, but the artist sort of made a wrong turn. Some of them are hilarious and I can't get enough of them.
I feel that I'd rather know an actors' work, or have an instinct about them and sit down and have coffee with them, or I'll see them in something and I'll see if I can get along with them in some way, shape, or form.
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