A Quote by Kristin Lehman
For 'Motive,' it wasn't a question of making it look un-Canadian, but instead, we wanted it to be the product of a bunch of really skilled people making something. And that's what you have.
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Every good product I've ever seen is because a group of people cared deeply about making something wonderful that they and their friends wanted. They wanted to use it themselves.
Leadership means making sure that people are adequately skilled, making sure people are earning a living wage, making sure people have access to resources. That's not sexy, it doesn't sound great at a rally or a forum, but that is actually the work that it will take to change cities. We know that.
I have an interest in giving people a cathartic experience, and making them look at homeless people differently, and making them question how they judge people, in general.
We grow by letting the customer tell us. So when the customer tells us that they're frustrated, that they just got their catalogue and we're already out of a product they wanted, then it tells me that we're not making enough. We let the customer tell us instead of creating an artificial demand for our products. Any time you're making products that people don't need, you're at the mercy of the economy, you're at the mercy of whatever is going on. So we tried to avoid that situation.
I felt that there was nothing wrong with what I was doing because I was supplying a product to people that wanted it and it was accepted. I mean nobody really was making any negative statements about marijuana.
There's always a concern over budget with film too but people are more extravagant when they're making a feature. In television everything's tight, everything's paired down and it's just a question of making it look expensive.
If you spend a lot of time with activists, as I have, they're just ordinary people who instead of Netflix are getting together in church basements and making posters or making phone calls doing organizing work. It really is about finding a community of other people.
The Americans take a product that literally grows on trees and turn it into a valuable commodity. Without them, cocaine and marijuana would be like oranges, and instead of making billions smuggling it, I’d be making pennies doing stoop labor in some California field, picking it.
Perhaps there can be too much making of cups of tea, I thought, as I watched Miss Statham filling the heavy teapot. Did we really need a cup of tea? I even said as much to Miss Statham and she looked at me with a hurt, almost angry look, 'Do we need tea? she echoed. 'But Miss Lathbury...' She sounded puzzled and distressed and I began to realise that my question had struck at something deep and fundamental. It was the kind of question that starts a landslide in the mind. I mumbled something about making a joke and that of course one needed tea always, at every hour of the day or night.
I was that kid. I was entertaining everybody in the living room and throwing myself down flights of stairs and making the family look special and making my mother feel better and I really wanted to make people happy. That has been my ministry my whole life. I call it The Church of F.F.C. - The Church of Freedom From Concern. And I'm a high priest in that church.
Making one brilliant decision and a whole bunch of mediocre ones isn't as good as making a whole bunch of generally smart decisions throughout the whole process.
The minute you start arming people in these conflict zones, things don't go as expected. We also need to look at precedent before making these decisions. Instead of listening to Muammar Qaddafi's rhetoric, we should look at how he's behaved. The fact is he's been making concessions recently. He gave up his nuclear weapons. He allowed hundreds of Americans to evacuate Tripoli. Did he crack down on his people who revolted? Yes, but that's not so unusual.
One of my favourite Donald Byrd tracks is 'Think Twice,' and I didn't want to sample it. I've always enjoyed when other people have sampled it, so I wanted to instead of making a beat with it or something like that, or freak the beat of whatever. I wanted to just recreate it in my own way, like how I heard it.
I became really aware that when you're making a movie, you're making it three times. You're making it when you're writing it. You're making it when you're shooting it. And then you're remaking it again when you're editing it.
There's a lot of guys who use their likeness - to do movies, and do other business stuff, but not too many guys are actually making product. I'm making product, it's a different thing. A lot of guys are holding up Coke cans and get paid a lot of money to do that, but no one's making a Coke can. I'm the guy that's trying to make the Coke can.
Expression is never considered a given, and it is in fact maybe not what's most interesting about making art. Making art, since 1960 or something, is many things: it's a way of doing philosophy, it's a way of opening a dialogue, it's a way of putting a fact or a question out into the world, or a way of drawing people into new relationships, or a way of interrogating history. It's all these other sorts of strategies or techniques or processes that are really interesting and really valuable.
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