A Quote by Kristin Scott Thomas

French is a foreign language, but I've been speaking it since I was 18 so it's second nature to me. — © Kristin Scott Thomas
French is a foreign language, but I've been speaking it since I was 18 so it's second nature to me.
When you speak a foreign language, you become someone else. If you aren't used to speaking a language, and you start speaking it again, for the first few sentences you'll find yourself in very strange shape, because you're still the person who was speaking the first language. But if you keep speaking that language, you will become the person who corresponds to it.
You know, writer can write about the Foreign Legion without ever having been in the Foreign Legion, but that doesn't necessarily mean that what he's written doesn't necessarily reflect the nature of him as an individual - or her. Using the male gender because it's me speaking. I don't mean to put down the female.
I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.
I've always thought that speaking a foreign language from a young age makes you a little bolder when it comes to speaking and doing accents and things like that.
We've been speaking English as a second language so long that we've forgotten it as our first.
Everyone is used to speaking a slightly different "language" with their parents than with their peers, because spoken language changes every generation - like they say, the past is a foreign country - but I think this is intensified for children whose parents also grew up in a geographically foreign country.
Community involvement is second nature to me. I've been doing it since high school.
A romantic or classical view of the French approach would have been to say, 'It's a French company; let no one attack it. Let's block any merger. But the reality is Alcatel-Lucent is not a French company; it's a global company. Its main markets are China and the U.S. Its ownership is foreign; most of its managers aren't French.
My film is in French. It's not something folkloric. It's who we are. There's this tension about immigrants coming in. Will they learn French? Will they adapt? In this film, I'm on the reverse side because Monsieur Lazhar comes from a society where French is also the second language.
I have been modelling since I was four years old so facing the camera is second nature to me.
I didn't have Marathi as a language in school. My second language was French.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
For me, French is so rich and so sacred that learning it is like learning a foreign language.
When you do a film in a foreign language, you know there's a cost in it, that you know, unfortunately, the audiences of foreign language films have not been cultivated. There's a market, but the market has been reduced, unfortunately, and you know that when you're making a foreign language film, you're making a choice.
When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.
Never say "Au revoir" unless you have been talking French, or are speaking to a French person.
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