A Quote by Kristin Scott Thomas

As an adult, it's a huge shock to be orphaned; as a child it's just hideous, ghastly. — © Kristin Scott Thomas
As an adult, it's a huge shock to be orphaned; as a child it's just hideous, ghastly.
On my travels I, at least, did not see Serbia as a land of paranoiacs - much more as the huge room of an orphaned, yes, an orphaned, abandoned child.
The clash between child and adult is never as stubborn as when the child within us confronts the adult in our child.
It was a shock to everyone when I became a rapper. Huge shock to everyone. But I knew it all along. I just didn't want to tell anybody cause then it's like, What if it doesn't work?
One can no longer live with people: it is too hideous and nauseating. Owners and owned, they are like the two sides of a ghastly disease.
In certain circumstances where he experiments in new types of conduct by cooperating with his equals, the child is already an adult. There is an adult in every child and a child in every adult. ... There exist in the child certain attitudes and beliefs which intellectual development will more and more tend to eliminate: there are others which will acquire more and more importance. The later are not derived from the former but are partly antagonistic to them.
Good children's literature appeals not only to the child in the adult, but to the adult in the child.
Divorce in a young-adult novel means what being orphaned meant in a fairy tale: vulnerability, danger, unwanted independence.
When a child hits a child, we call it aggression. When a child hits an adult, we call it hostility. When an adult hits an adult, we call it assault. When an adult hits a child, we call it discipline.
A child is an eager observer and is particularly attracted by the actions of the adults and wants to imitate them. In this regard an adult can have a kind of mission. He can be an inspiration for the child's actions, a kind of open book wherein a child can learn how to direct his own movements. But an adult, if he is to afford proper guidance, must always be calm and act slowly so that the child who is watching him can clearly see his actions in all their particulars.
If you treat a sick child as an adult and a sick adult as a child, it usually works out pretty well.
Dimitri: "Rose, I'm seven years older than you. In ten years, that won't mean so much, but for now, it's huge. I'm an adult. You're a child.” Rose: "You didn't seem to think I was a child when you were all over me.” - Rose Hathaway & Dimitri Belikov (Vampire Academy)
There is a saying: 'The child is parent to the adult', which means whatever happens to you as a child or teenager affects the adult you become. You are forged in your history. And fiction is an incredibly important force in shaping children, and that's why fiction needs to be diverse.
I like film books at the bottom of the barrel and art books at the top. 'The Ghastly One,' by Jimmy McDonough, is a hilarious biography of one of the most hideous directors who ever picked up a movie camera - Andy Milligan.
When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors. For me it's important making that transition seamless, and not a huge shock and jumping into cold water. It doesn't feel like I'm trying to shock you or anything. I'm just saying, "I'm a different actor than you thought I was. Don't put me in a box. I'm not just some kid running around screaming curse words." I have other tastes besides comedy. I love comedy, but I love dramatic movies just as much.
Games are a trigger for adults to again become primitive, primal, as a way of thinking and remembering. An adult is a child who has more ethics and morals, that's all. I am not creating a game. I am in the game. The game is not for children, it is for me. It is for an adult who still has a character of a child.
For in every adult there dwells the child that was, and in every child there lies the adult that will be.
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