A Quote by Kristin Scott Thomas

You don't choose a film because it's made by a woman, you choose it because it's good. — © Kristin Scott Thomas
You don't choose a film because it's made by a woman, you choose it because it's good.
To choose this or that is to affirm at the same time the value of what we choose, because we can never choose evil. We always choose the good, and nothing can be good for us without being good for all.
You can choose a ready guide in some celestial voice. If you choose not to decide, you still have made a choice. You can choose from phantom fears and kindness that can kill. I will choose a path thats clear. I will choose Freewill.
If one group of people say a woman has a right to choose, I get queasy because I'm against abortion. I don't think a woman has a frivolous right to choose. What I don't want is a desperate woman to die in an illegal abortion.
There is only one way out of the trap: that you don`t choose; neither this nor that - you simply don`t choose. You withdraw from choice and you become choiceless. Choicelessness is freedom. To choose is to choose a prison; to choose is to choose a bondage. To choose is wrong, to be choiceless is to be right.
This I choose to do. If there is a price, this I choose to pay. If it is my death, then I choose to die. Where this takes me, there I choose to go. I choose. This I choose to do.
The people that choose to face life, the people that choose to embrace it, the people that choose to just soak it up, the people that choose to dive right in and test their limits and find out what they're capable of and how good they can be and if that's really what they want to do, victims are gonna hate them because they are showing what anybody could do if they just had an attitude adjustment.
Choose to be entrepreneur because then YOU create value. Choose to be an entrepreneur because the products, services, and jobs you create then become the lifeblood of our nation. But most of all, choose to be an entrepreneur because then you desire a life of adventure, endless challenge, and the opportunity to be your BEST SELF.
Men choose Hamlet because every man sees himself as a disinherited monarch. Women choose Alice [in Wonderland] because every woman sees herself as the only reasonable creature among crazy people who think they are disinherited monarchs.
If I have to choose between a Bollywood film and Pakistan film, it may sound cliched, but I will go with the script first. And if both the scripts are equally good, then I will choose a Pakistan film.
I didn't choose to be white, I didn't choose to be male, I didn't choose to be heterosexual, I didn't choose to be right-handed. Those are the givens of life. And I don't know why the church can't deal with that, why they can't understand that. Well, I do know why: because people are always afraid of anybody who's different.
Each new moment presents an opportunity for conscious choice. We can choose to let go of the past. We can choose to be here now. We can choose to accept responsibility for ourselves. . . . We can choose to awaken. Or we can choose to remain asleep and unconscious.
Be sure to choose what you believe and why you believe it, because if you don't choose your beliefs, you may be certain that some belief, and probably not a very credible one, will choose you.
For me, when I choose a script, I put my heart and soul into it, and that is exactly what I look for in a film. A good film is a good film. And if it's a bad film, irrespective of whether it's made 300 crores or 200 crores or any amount of money, it doesn't matter to me.
In this world, you can choose to be positive, or you can choose to be negative. You can choose to see things through a set of eyes that sees good, or you can choose to see things in life that aren't so good.
Don't choose. If you choose, you will be in the quagmire. Don't choose! A choiceless awareness is the goal. Just remain aloof; don't choose. The moment you choose, you have fallen into the trap of the world, or into the trap of the mind.
If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power.
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