A Quote by Kristine Kathryn Rusch

Like Elmore Leonard and Donald Westlake and Robert B. Parker and oh so many others, I want to die with my boots on, facedown on my keyboard if possible, in the middle of a sentence.
I love Elmore Leonard. To me, True Romance is basically like an Elmore Leonard movie.
In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.
The best of Donald Westlake's pseudonymous thrillers about Parker, the toughest burglar who ever lived. . . .Out of print for years and years, Butcher's Moon is the ultimate Parker novel, best read as an installment in the series as a whole but comprehensible and wholly satisfying on its own.
I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written.
Donald Westlake's Parker novels are among the small number of books I read over and over. Forget all that crap you've been telling yourself about War and Peace and Proust-these are the books you'll want on that desert island.
That’s part of what I like about the book in some ways. It portrays death truthfully. You die in the middle of your life, in the middle of a sentence
As Elmore Leonard says, I write to find out what happens.
Like Richard Price and the late, great Elmore Leonard, Matt Burgess is one of those cool, quick and funny writers who can turn a seemingly routine crime caper into something special.
Let it Ride channels Elmore Leonard at the height of his powers, with dialogue Quentin Tarantino would kill for.
Very little other than Elmore Leonard's crime writing inspiring me on my Batman run.
A few hours after the news broke about the death of crime writer Donald E. Westlake, a newspaper asked me to write a tribute. In short order I did so, calling attention to his decades-long career, both under his own name and that of his primary alter ego, Richard Stark, who introduced the unsentimental antihero-heister Parker to the literary canon.
I'm an enormous fan of American literature, and especially the great novels of Larry McMurtry, 'Lonesome Dove,' Cormac McCarthy, Elmore Leonard.
When you translate the American writers who are best with dialogue into German - someone like Elmore Leonard, or Tom Wolfe, who's also quite good with dialogue. It's very hard to translate them well.
I admire writers such as Elmore Leonard who can nail a character in three or four lines of dialogue, so he doesn't need pages of back story or clumsy exposition.
I think every writer of detective fiction writing today has been influenced by Mr. Parker. I'm of a generation that followed Robert Parker, and it was impossible to read the genre and not be influenced by him.
For pleasure, I'll read military sf, or Elmore Leonard capers, anything that's fast and fun. Otherwise, I mostly pick at books, without any clear focus.
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