A Quote by Kristine Kathryn Rusch

The worst situations in the world always start with the words, 'trust me.' — © Kristine Kathryn Rusch
The worst situations in the world always start with the words, 'trust me.'
I can find the worst thing in the world funny. My humour is dark. If I'm talking about the worst situations in my life, it's like a comedy - you can laugh at my pain.
I didn't come from the worst of situations, and I didn't come into the best of situations. But I've appreciated the best situations. And I've made the best of the worst situations. I'm lucky to be where I am.
If a man has to say trust me, Gogu conveyed, it's a sure sign you cannot. Trust him, that is. Trust is a thing you know without words.
Politics is intensely physical: your hands touch, clasp and hold, and your eyes are always reaching for contact. None of this came naturally to me. I'd always put my trust in words and let the words do the work, but in politics, the real message is physical.
As children we hoard and gloat over words. Words give ownership: we name our world and we claim it...Children trust the power of words.
We live in a world in which the worst looks as if it is going to happen and the worst often does happen, and yet out of the anguish and waste, love and trust come in new forms.
I always have issues with trust. I'm a New Yorker... Really, I think trust is something that comes from the gut. And I think you have to - it's probably the worst advice to give people - but I think you gotta trust people from your gut.
Stoke City gave me the opportunity to play in the most competitive league in the world, and I have only words of gratitude for their trust and for the way they have treated me.
I always think the second worst thing in the world is to go on stage at night, and the first worst thing in the world is sitting at home at night. For me, it's scarier to not be doing it than doing it.
When I start gearing up to do each new season of 'Murdoch', my wife will often catch me out. I start speaking differently. I start enunciating, and start using certain highbrow words, and things like that.
If you know what it is before you even start, it's not as interesting. Central to being an actor is pretending, and the adventure of it all. That's why you become a junkie for different kinds of situations. I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is. I have to worry less about what the character means if I trust the director.
Melody always comes to me first before words - cadence and melody. When you're humming the melody and it's incredible and words start coming out it can build into something special.
Speak to me as to thy thinkings, As thou dost ruminate, and give thy worst of thoughts The worst of words.
I love words very much. I've always loved to talk, and I've always love words — the words that rest in your mouth, what words mean and how you taste them and so on. And for me the spoken word can be used almost as a gesture.
You can always figure out how to deliver things in somewhat controlled situations, but when you start to get into the reality of the market you start to figure out what isn't going to work.
Without trust, words become the hollow sound of a wooden gong. With trust, words become life itself.
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