A Quote by Kristine Kathryn Rusch
Rod Clark has one of the most unique voices I have ever encountered. I still quote some of his political insights years later. To have him write political science fiction is both appropriate and intriguing.
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Stuart Clark's The Sun Kings is undoubtedly the most gripping and brilliant popular-science history account that I have ever read. It is informative, accurate, and relevant. Clark's ability to write so vividly makes me seethe with jealousy.
Some people feel that it's controversial if I say that because my dad is known as a political artist. But I don't really believe that he was a political artist. I think some of his songs were political, and I think they were incredible because he was able to make art that was political and that wasn't pedantic. But I think he was unique in being able to do that.
Science fiction is a weird category, because it's the only area of fiction I can think of where the story is not of primary importance. Science fiction tends to be more about the science, or the invention of the fantasy world, or the political allegory. When I left science fiction, I said "They're more interested in planets, and I'm interested in people."
The real question should be: what makes a good political poem? The possible answers to that question are both obvious and yet still a little too subjective for anyone to ever fully agree on. What do I most wish to see in a political poet? Sublimated rebellion.
Now, I'm a failed political consultant. But sometimes fiction has a way of capturing people's imagination in a way that non-fiction doesn't. Conservatives typically haven't written much fiction - specifically political thrillers - over the years to educate, inspire and mobilize people on issues of great import, but we ought to.
The United States is in the midst of many spirited political debates about national priorities and public spending... However, we have found that science is an area where both political parties can find common ground, and in which political change does not necessarily create discontinuities.
George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
Dickens never joined a political party nor put forward a political programme. He was a writer who rightly saw his power as coming through his fiction.
I have been a print reporter my whole career. It's all I ever wanted to be. I specialize in political profiles. I have probably profiled hundreds of people over the years, people in very powerful positions. People don't always like what I write, but most people still talk to me.
A political philosophy (often called "political science" by practitioners who are not averse from verbal trickery) must deal with contemporary realities. If it does not, if it is charged with "ideals," it is merely a variety of romantic fiction, although it may not be recognized as such.
realized that at a level I'd never been conscious we'd been engaged in a game of wits for years. I suppose most writer-subject pairings are like that. Of course, I'd set aside my plan to write about him [Clark Rockfeller] as soon as I'd gotten to know him some, but now I'd resumed that intention.
The Israel stories were really hard for me to write, because I think that my book is very much about politics, but it isn't political. It really was important for me to not have a political agenda at all, because I have a hard time stomaching any political fiction that feels message-y.
The rise of a new kind of political science in the 1960s has been driving a wedge between political insiders and voters ever since. By turning voters into interest groups, it stopped establishment leaders from articulating a national narrative. It opened the way for Movement Conservatives to create today's political crisis.
The Social Citizen is the best, most thorough, and most methodologically sophisticated treatment of the role of social networks in political behavior that I have ever read. Betsy Sinclair shows just how strongly we are influenced to express ourselves politically by our family, neighbors, and friends. We are on the verge of a sea change in political science, and this will be one of the most important books we refer to when we describe what happened to the discipline in the twenty-first century.
Science fiction is the most important literature in the history of the world, because it's the history of ideas, the history of our civilization birthing itself. ...Science fiction is central to everything we've ever done, and people who make fun of science fiction writers don't know what they're talking about.
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