A Quote by Kristine Lilly

It's that tingle in my stomach, that lump in my throat and that smile on my face that tell me I am part of  an incredible team. — © Kristine Lilly
It's that tingle in my stomach, that lump in my throat and that smile on my face that tell me I am part of an incredible team.
For thirty years now, in times of stress and strain, when something has me backed against the wall and I'm ready to do something really stupid with my anger, a sorrowful face appears in my mind and asks... "Problem or inconvenience?" I think of this as the Wollman Test of Reality. Life is lumpy. And a lump in the oatmeal, a lump in the throat, and a lump in the breast are not the same lump. One should learn the difference.
Life is lumpy. And a lump in the oatmeal, a lump in the throat, and a lump in a breast are not the same lump. One should learn the difference.
I had a sore throat for a long time and it scared me. I saw a lump in my throat and I was terrified. I wouldn't go to a doctor.
That memory made a lump form in my throat as I remembered his face, serious and gorgeous, those brown eyes intense and passionate as he spoke up for me and convinced the others of my value.
Later when I thought of the chickens, one of those rare pale blue eggs rose up into my throat. The chickens had been part of our family, and the egg in my throat was the feeling of something missing. It was hard and smooth and heavy, but also so fragile it might break and make me cry. It was the feeling of growing out of a favorite shirt, milk spilled on the floor, the last bit of honey in the jar, falling apple blossoms. It was the lump in the throat behind everything beautiful in life.
One of life's best coping mechanisms is to know the difference between an inconvenience and a problem. If you break your neck, if you have nothing to eat, if your house is on fire, then you’ve got a problem. Everything else is an inconvenience. Life is inconvenient. Life is lumpy. A lump in the oatmeal, a lump in the throat and a lump in the breast are not the same kind of lump. One needs to learn the difference.
Now and then one sees a face which has kept its smile pure and undefiled. It is a woman's face usually; often a face which has trace of great sorrow all over it, till the smile breaks. Such a smile transfigures: such a smile, if the artful but knew it, is the greatest weapon a face can have.
I am a sentimental guy, and occasionally, that lump in my throat when I speak has stopped my tongue from working.
My team in Orlando was a team full of people who nobody wanted, and I was the leader and I led that team with a smile on my face.
He was sitting not far away, watching me, and I surprised a smile on his face, the first real smile I had ever seen him give, a smile that curved and softened the tight mouth, and warmed the ice-cool eyes; a smile that brought the blood to my face and made my heart turn over.
You moved my head so that it was lying in your lap. "Keep your eyes open," you said. "Stay with me." I tried. It felt like I was using every muscle in my face. But I did it. I saw you from upside down, your lips above my eyes and your eyes above my lips. "Talk to me," you said. My throat felt like it was closing up, as if my skin had swollen, making my throat a lump of solid flesh. I gripped your hand. "Keep watching me, then," you said. "Keep listening.
I don't believe in ghosts or ESP or elves... or God. But I am spiritual in the sense that I get a lump in my throat when I listen to Vaughan Williams.
People tell me to smile, I tell them the lack of emotion on my face doesn't mean I'm unhappy.
I look older. Maybe it's the short hair or maybe it's just that I wear all that has happened like a mask. Either way, I always thought I would be happy when I stopped looking like a child. But all I feel is a lump in my throat. I am no longer the daughter my parents knew. They will never know me as I am now.
Now and then one sees a face which has kept its smile pure and undefiled. Such a smile transfigures; such a smile, if the artful but know it, is the greatest weapon a face can have.
to love life, to love it even when you have no stomach for it and everything you've held dear crumbles like burnt paper in your hands, your throat filled with the silt of it. When grief sits with you, its tropical heat thickening the air, heavy as water more fit for gills than lungs; when grief weights you like your own flesh only more of it, an obesity of grief, you think, How can a body withstand this? Then you hold life like a face between your palms, a plain face, no charming smile, no violet eyes, and you say, yes, I will take you I will love you, again.
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