A Quote by Kristine Opolais

Puccini is my favorite composer. — © Kristine Opolais
Puccini is my favorite composer.
When I was 20, Shostakovich was my favorite composer. I still find his Fifth Symphony wonderful, with its outstanding themes and rhythms. That's the piece that made me want to be a classical composer.
I felt frustrated by the limitations of rock and the lifestyle of touring around on a bus and playing the same songs over and over. So I went back to school to study music, and one of the things I got into was the Italian opera composer Puccini.
If somebody says, 'Well, what are your favorite composers?' really, what they are saying is, 'What are your favorite composers apart from Bach?' Because obviously, Bach is your favorite composer if you are involved in music at all.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
'Neverwhere,' by Benjamin Millepied, is set to his favorite composer, Nico Muhly.
To make good films, you have to have a good relationship and good collaboration as composer-director, composer-editor, composer-production designer-actor because you're working with the actors on screen.
Wagner is the Puccini of music.
With Hitchcock I had little relationship. I was called to replace Bernard Herrmann, his favorite composer, in Torn Curtain, after the bitter fight between them.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.
Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
I'm not a script composer. I'm a film composer and my brain is excited by images and moving elements.
Elvis Presley and Puccini shall return.
Puccini - silver macaroni, exquisitely tangled.
I always wanted to be a composer, and I sort of went in to NYU as pre-med because I just thought, 'Well... who actually becomes a composer?'
Any composer who is gloriously conscious that he is a composer must believe that he receives his inspiration from a source higher than himself.
It is always interesting and sometimes even important to have intimate knowledge of a composer's life, but it is not essential in order to understand the composer's works.
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