A Quote by Kristine Opolais
The point is that I am such a big fan of Puccini and that Butterfly is the most difficult and complete role that you can imagine. Just to sing it with a good voice is not enough: it asks tears from your soul. I am very emotional on stage, and the music is so tender that I suffer for real when I am singing it. So I cannot do many performances.
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When I sing, I think mostly about the music. But I know that, through singing, my body shows everything that I am. I am a very passionate man and I suffer a lot and have a lot of joy also. In my opinion, it is very important for me to find this stimulus and motivation for singing.
My voice is who I am, who I was when I was 3, and who I am going to be when I am 90 years old. When I hit the stage and people do not know who I am, they automatically assume, before I open my mouth, I am going to sing a Bob Marley song!
I am a very emotional human being and would say that I handle emotional pain in a healthy way by always letting it out and not keeping it in. There is no better feeling than allowing those tears to flow when I am feeling emotionally constricted. Crying feels so good sometimes, and I do it when I'm happy, sad, stressed, scared. I like to believe that tears are my friend.
I think I am very disturbing on the set because I am singing all the time. I won't say I am a singer, but I do sing a lot.
I do not suffer; I cannot suffer because I am not an object. Of course there is suffering. But do you realize what this suffering is? I am the suffering. Whatever is manifested, I am the functioning. Whatever is perceptible I am the perceiving of it. Whatever is done I am the doing of it; I am the doer of it, and, understand this, I am also that which is done. In fact, I am the total functioning.
My singing - it's who I am, it's all of me and it's my soul. The self expression of using your vocal equipment is not only physical and spiritual, but it's something you can't explain. It's your heart and soul together. Yes, I enjoy acting, but I portray other people. But when I sing, it's just me on that stage, communicating how I feel, how I think and what I believe.
I am so secure in who I am. I really am! And I'm not conceited. I just think, 'Wow, okay, that's the life you want to live.' It wasn't about who he chose. I mean, I had moments, 'Am I not sexy enough? Am I not pretty enough? Am I not smart enough?' But in so many of those questions, I immediately stopped and said, 'No, don't start doing that.' Because you can get stuck in that cycle and you can carry on to other things.
Everyone of us wakes up in the morning, goes to the bathroom, looks in the mirror and asks: "Who am I? Who am I today? Do I feel good enough? Do I feel big enough? Do I feel sexy enough?" Some days, the answer is 'yes' but sometimes it's not.
When you're on stage singing, you're naked. Your voice is something very intimate, and that's why I'm scared every time before I perform. It doesn't matter if I'm singing for a king or a queen or the Pope, it's enough to be in front of anybody. I suffer, but I can't do anything about it.
I dreamed I was a butterfly, flitting around in the sky; then I awoke. Now I wonder: Am I a man who dreamt of being a butterfly, or am I a butterfly dreaming that I am a man?
I am very much a Red Sox fan; I can name you more players than you could possibly imagine. It's just part of who I am.
I am not playing on stage. I am living the situation. I cannot cut emotions and sing. I never save myself.
The very first Walnut Whales recording was recorded just a few weeks after I had started singing, out of the blue, started singing. And the voice, you can hear how uncomfortable I am with it, and how terrified I am with it.
For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
I do not have voice for Russian music; I cannot be cute little peasant like in operas of Glinka or Rimsky-Korsakov. I am now never in Russia; I am Austrian citizen. But definitely I am Latin!
As an actor it's easy to be so self-critical, saying to yourself: "Am I good enough? Am I good looking enough? Am I smart enough?" Yet here I am, so I'm lucky.
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