A Quote by Kristine Opolais
That's why I'm never happy. Every tragedy, I really feel very painful - especially about a child or old people. This is reality. We try to close eyes and ears, but it's happening every second, and somehow, unfortunately, I feel a connection.
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I'm one of those crazy people who have to write every day. Otherwise, I feel really sort of despondent, and it's because I don't feel very happy about not learning.
As a child, every North Korean is very happy. We were very happy because we learned horrible things about the outside world, like in America and Japan. We thought they were suffering; that's why we were very happy... but in reality, we were living under fear.
When I write songs I think about how it makes people feel, and I hope that when it goes into your ears you feel happy too. Not sexy happy but apple pie happy.
I don't feel a connection with younger people or with Generation X, or any generation, I feel. If I felt a connection with people my age I wouldn't have written six books about feeling depressed, alienated, lonely. If I did I would have many friends and feel connected with them and probably be a happy person who has a real job.
As long as I'm learning every day of my life, I will never feel old. Never. And I don't feel old; I feel in my head and in my heart - I don't know, ageless!
There are couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage. Of course it is true, that's exactly what a child does but it's not something to be feared, it's to be embraced.
If you're tired of getting additional information, you can just close your eyes, get some sleep. But earlids, covering of the ears, never evolved. Not once do we find it, even in the fossil records. Because while we let our eyes relax, our ears are still hearing. And that's why alarm clocks work and wake us up. We still gather information. Every animal is gathering information 24/7. So I like to think of acoustic ecologists as people who are trying to become better listeners, 24/7.
I feel really happy like with 'Derry Girls,' I feel happy to be part of something that young people are like, that is dysfunctional and you feel awkward in relationships and you try to find someone that makes you feel comfortable.
With world health, every life you save is a wonderful thing, so it's not this question of whether you solve it or you don't. The chance of completely solving the problems has long odds. But really, the thing is that you get to save the first child, the second child, the third child. You can just feel good about that.
I may be forty, but every morning when I get up, I feel like a twenty-year-old. Unfortunately, there's never one around.
The millennial generation wants to express every feeling to feel like you're connected to it, and there's something very dark about tragedy that people are drawn to.
I feel really honoured and happy to be part of the P. C. Chandra team. It's my first jewellery endorsement, and because I have also studied jewellery design, it's something very close to my heart, and I feel very happy being associated with the brand.
You get those couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage.
'Still Writing Songs About You' - that one hits me every time. For some reason, I really feel that song every time we play it. I just love the sound of it, and I feel like everybody probably has that person that they never fully forget or never can get past.
Onstage, I enjoy the thrill of live performance - there is no substitute for that rush. On camera I enjoy the crafting of a scene, the widespread creative marksmanship happening all around you for every second of footage. Onstage you can suddenly feel solitary, like it's all on your shoulders, while on camera you feel like there are so many people working with you on every shot. Those are each unique and gratifying challenges.
When you feel happy, really happy, it somehow seems that you've always been happy and that you'll always be happy. The same is often true when you feel sad, or lonely, or depressed, or broke, or sick, or scared. Something, perhaps, to remember.
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