A Quote by Kristine Opolais

I hate everything that is rigid. I need freedom. — © Kristine Opolais
I hate everything that is rigid. I need freedom.
What I had heard about TV is that it's very rigid - that you have to hit your mark, look a certain way, do certain things, that there is no freedom artistically - and that's my worst nightmare. I don't work well in rigid environments.
I've been very lucky in the freedom that I've been given. Every artist needs two types of freedom: You need the freedom to - the freedom to come up with an idea or treatment - and then you need the other half of the freedom, and that's freedom from - somebody saying, 'This is great. This is how I want you to do it'.
I've been very lucky in the freedom that I've been given. Every artist needs two types of freedom: You need the freedom to - the freedom to come up with an idea or treatment - and then you need the other half of the freedom, and that's freedom from - somebody saying, 'This is great. This is how I want you to do it.'
I hate television. I hate the internet. I hate cell phones. I hate cameras. I hate everything that destroys creativity.
Negative freedom is freedom from - freedom from oppression, whether it's a colonial power or addiction to alcohol oppressing you. You need to be freed from negative freedom. Positive freedom is freedom for, freedom to be. And that's what's routinely ignored today.
I can't take it anymore. The waiting. The wanting. Something inside me snaps. I hate myself. I hate that I have to deal with this. I hate my life. And I hate how I can't count on anyone to be completely there when I need them, exactly the way I need them to be.
If a film is very clever and well-written, that's what gives you freedom as a director. Part of the freedom in directing, for me, is that I'm also the camera operator. That's the place where things are less rigid, where I can adjust as I go along.
I don't like Utah. In fact, I hate them. I hate everything about them. I hate their program, their fans. I hate everything
Not to mention the fact that of course terrorists hate freedom. I think they do hate. But believe me, I don't think they sit there abstractly hating freedom.
Let's call something a rigid designator if in every possible world it designates the same object, a non-rigid or accidental designator if that is not the case. Of course we don't require that the objects exist in all possible worlds.... When we think of a property as essential to an object we usually mean that it is true of that object in any case where it would have existed. A rigid designator of a necessary existent can be called strongly rigid.
These individuals are tyrants, and so they hate democracy. They are bigots, zealots, and persecutors, and so they hate Americas freedom tolerance, and respect for all people. The terrorists of Sept. 11 live and flourish in darkness. They cannot survive in the liberating and inspirational sunlight of American freedom and democracy.
I admire about Hillary: Every time I am going to walk away from her candidacy, I think, she has absorbed more hate than anyone I can think of over the past twenty years, and she hasn't cracked under it. That's a kind of iron fortitude that maybe we need in the President of the United States. People project on to Hillary because she is a woman. They either hate her for everything they hate about women or they long for her to be everything they want in a woman. It's an impossible burden.
People really hate Trump - a lot. They hate his voice. They hate looking at him. They hate everything about him.
Fear of something is at the root of hate for others, and hate within will eventually destroy the hater. Keep your thoughts free from hate, and you need have no fear from those who hate you.
Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate. I hate murderously.
The full impact of printing did not become possible until the adoption of the Bill of Rights in the United States with its guarantee of freedom of the press. A guarantee of freedom of the press in print was intended to further sanctify the printed word and to provide a rigid bulwark for the shelter of vested interests.
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