A Quote by Kristofer Hivju
I read a lot of Icelandic sagas when I was young. I've always been interested in the Viking culture.
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I read a bit of the Icelandic sagas. They're fascinating in that they are completely ordinary. The farmer will go off into the hills and fight a troll, and then go back and do ordinary things. It's an odd mix of fantasy and reality.
My books are a subject of much discussion. They pour from shelves onto tables, chairs and the floor, and Chaz observes that I haven't read many of them and I never will. You just never know. One day I may - need is the word I use - to read Finnegans Wake, the Icelandic sagas, Churchill's history of the Second World War, the complete Tintin in French, 47 novels by Simenon, and By Love Possessed.
We do have a big kind of history in literate tradition of Vikings and we have a lot of Viking blood in Scotland, I mean especially up north wherever you go you see a plastic Viking sitting outside a shop and Viking calendars and - because they - you know they came down and stole all our chicks and then some of them didn't quite get back and ended up settling down here. So there's a lot of Viking blood in Scotland.
Icelandic peoples were the ones who memorized sagas... We were the first rappers of Europe.
I had this awesome tennis teacher when I was 12 who was Icelandic. He looked like a Viking: long hair, and he was built like a rock and spoke with this accent.
Viking women, if they were left behind, were ruling their town. They were earls in their own right; they owned land in their own right. They could divorce their husbands if they wanted to. All of those wonderful allowances that were made for women in the Viking culture weren't really part of the Christian culture at the time.
I've always been interested in exploring the concept of child prodigies. When I was younger, I wrote a story about Mozart as a child and I just always loved this idea of young people who are able to take control of their lives and bring a whole lot of change at such a young age.
I've always been interested in exploring the concept of child prodigies. When I was younger, I wrote a story about Mozart as a child, and I just always loved this idea of young people who are able to take control of their lives and bring a whole lot of change at such a young age.
I'm from Norway, and when kids were reading comics, I was reading Icelandic and Norwegian sagas about the Vikings. The glorification of violence, their mentality, and their way of living - that was part of my own education growing up.
A lot of artists are good cooks as I'm too, but coming from a culture that was very concerned with food, I was very interested in that from the start. If you're interested in food, you're interested in lots of different aspects of culture. And it's like being interested in the music from a certain area, or writing, or whatever-food is part of that, too.
Anyone interested in the world generally can't help being interested in young adult culture - in the music, the bands, the books, the fashions, and the way in which the young adult community develops its own language.
I felt that a lot of Viking culture had been caricatured and misconstrued. After all, they were far more democratic than the Saxons and the Francs, who were exercising really hierarchical social structures at that time. The Vikings had popular meetings where everything could be discussed.
I'm really not interested in acting as a facade, I'm interested in it as an emotional expression and as a transcendent experience for an individual. I find that a lot of people, a lot of young actors, haven't gotten to the point where they're comfortable being stripped down. They're still interested in ornate jackets.
There's been a lot of discussion about NASA culture and changing that. I think our culture has always been one of trying to do a very difficult job and do it well.
I've always been interested in pop culture. Some of my colleagues think of pop culture as beneath them, or there's the ivory tower and then there's everybody else, and I never could buy into that wall that's been put up by so many people over the decades and even the centuries.
I've been interested in terrorism from the very beginning. My first novel is about that, too, and I think one reason I've been so interested in terrorism is because I have a deep interest - one of my deepest interests - in image culture and how it works. And terrorism is an epiphenomenon of image culture.
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