A Quote by Kristoffer Rygg
There are a good number of people creating black metal and black metal inspired music in the northwest. Much of this music is radically noncommercial and exists only on a very local, private level.
Related Quotes
I was listening to a lot of Norwegian black metal and death metal. There's a great history to Norwegian black metal. That music is very dark and violent, but it's also beautiful.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
There's a lot of music out there that's like, 'I'm so mad! I'm sad! I'm into skulls and crossbones and the color black,' and that's just meaningless and shallow. So much of metal is about that and it's hard to find metal that is substantial and meaningful in terms of its content.
I hardly follow the Finnish metal scene at all at the moment. I'm more interested in traditional '80s heavy metal, and I'm still a little scared of black metal and death metal and their provocative imagery.
People ask me if I'm influenced by British music, and I suppose I grew up listening to mostly British music - from new wave stuff through to heavy metal. Like, when I got into metal, it was Black Sabbath. I never really got into a lot of American rock. I appreciate some of it, but not much! Most of the great new wave music was coming out of Britain, and Germany. So maybe those influences have made their way into my music, and perhaps that's why I have this connection with people in Europe. But maybe it's something cosmic.
There are three virtuous styles of music; classical, jazz and heavy metal. I do love classical music but I don't listen to it much anymore and I never listen to metal, so I am not very interested in music that is difficult to play.
Sometimes metal music tends to be very masculine, but because our version of metal is a fusion of dance and heavy metal, all the mixing will create a very different type of music and the female aspect of it will help to create more uniqueness to it.
I wore a 'Black Metal' Venom T-shirt once, in January 1993, to promote black metal, and I regret having done that ever since.
Starting in junior high school, through high school, I was very into metal or black metal and death metal specifically.
I am no friend of the modern so-called 'black metal' culture. It is a tasteless, lowbrow parody of Norwegian black metal circa 1991-92, and if it was up to me, it would meet its dishonorable end as soon as possible.
I still listen to black metal all the time - that's obviously one of my favorite kinds of music - but I steer from it very strongly.
As for complicating the black metal aesthetic, I don't care about that since it was never a goal of mine to lay out any particular preconceived aesthetic, let alone one of traditional black metal where pseudonyms are adopted.
I have very different kinds of songs - there are these film-music-type of songs, and then metal, metal, metal, ha-ha! These are different kinds of styles, so not every musician can play both types of music.
I buy some black metal records kind of blindly, and I end up really liking maybe 30% of them. There's a lot of duds, for me at least, in black metal. I have kind of picky tastes about it.
It's a beautiful idea to focus on how everything is temporary and always in flux. It may feel bad now, but it will feel good later, and vice versa. To write about those things brings this satisfying feeling as a creative person. There's a lot of music out there that's like, "I'm so mad! I'm sad! I'm into skulls and crossbones and the color black," and that's just meaningless and shallow. So much of metal is about that and it's hard to find metal that is substantial and meaningful in terms of its content.
When we first started out, we had no idea what metal music was all about. But now we listen to everything from cute songs to all sorts of metal music.
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