A Quote by Kristoffer Rygg
People who just listen to music and are not a part of the creative community should realize that there is a lot of interaction between artists who have different styles.
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Regular people don't even realize how much artists mean to them. Artists represent a lot to the average person. People listen to music all day on their iPods, so as artists, we become a real fixture in people's lives. As an artist, you can't take it personal. It's like your big brother teasing you.
I spent a lot of time with the Neville Brothers and Dr. John and different people. They play different styles of music, and it allowed me to learn different styles.
I love writing, composing and producing music. It's what I enjoy doing most in life and I create so much material that crosses over so many different styles that it would be virtually impossible to release all under one name/project. That's mainly why I like to create aliases and work on production for other artists as well. It just make sense. I just want to be able to have an outlet for all the different styles of music that I like working in.
As I was a kid, I had a bunch of musicians, they always told me that I should listen to all styles of music and try to play all styles and be authentic at it, if I can, because you never know who's gonna call you. This was coming from fellow horn players who would get the call to play with different types of people. Since I was a kid, that was just something I was always interested in.
Many people have eclectic tastes. Many people like to listen to all kinds of different music. I mean, I do; I'll listen to many different styles inside a day, a week, a month, a year. It doesn't matter.
I liked experimenting with a lot of different styles. So, it always saddens me when I see young people, or even older people for that matter, who are limited to one specific type of music. They don't really allow themselves to experience so many types of music out there that are so wonderful to listen to. And there's good parts and bad parts, I guess, to all of them.
The most important thing to do as an artist is to get out of your comfort zone and work with different people: people who can't read a note of music, people who have incredible classical skills, blues and jazz musicians, pop artists, visual artists, dancers and actors. Learn from people who are creative in a different way to you and you'll keep evolving.
I think it is the weak and the young and the minorities that you need to look after to get a healthy creative environment - to get a lot of choices, a lot of different styles of music, a lot experimental stuff that everyone else feeds off.
I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.
We're really into combining lots of different styles into one song: that's normal for us. It might seem arbitrary but we listen to a lot of music that does that.
My sisters and I like a lot of different styles of music, but we're inspired by real artists like Beyonce and Adele.
We definitely classify things in order to get closer to what we believe in - so it serves a purpose to really think about one style of music, and to understand the shades of delineation between similar artists. But yeah, it's really nice to listen to something the way most people listen to music! Just to enjoy it, without having to put it in context.
A lot of punk rock. I listen to various stuff just cuz my friends now listen to a lot of different bands. I listen to a lot of underground stuff like jungle music.
I think that young people should embrace artists like Lemmy from Motorhead but also be open to different styles.
I've noticed a lot of younger artists have less fear of doing different sorts of things, whether it's various types of music, or gallery artists moving between video and sculpture and drawing.
I take in a lot of different styles when I listen to music, but when I'm actually writing a song it comes from a very stripped back place that focuses on melody and soaring choruses that lift-off.
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