A Quote by Kriti Sanon

When you don't come from a film background, getting the right debut is important and difficult, as you don't have the sensibility to know what will work and what won't. — © Kriti Sanon
When you don't come from a film background, getting the right debut is important and difficult, as you don't have the sensibility to know what will work and what won't.
The first film is very important, and one needs to choose the right kind of debut project. I also think the second film is equally important, as it needs to be a notch higher.
I won an award for my debut film. However, my career went up and down after that but I kept getting work. I did whatever excited me and did not think which role or film will change my career.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
As most of my films have been made in extreme locations. It's important to work with people who understand what they are getting into. They know that it will be tough, but it will be an unforgettable experience and hopefully we'll come out with a special, cinematic movie.
For a Tamil debut, I wanted to make sure the script is the right one. We are hopeful 'Bramhotsavam' will be that film.
You will not find outsiders getting main, important roles in big films. The difficult part is to meet the right people.
I come from a very common family background in a small village, and getting an opportunity from home state to represent the state for an important and sensitive work is an honour for me and my family.
When I walk onto a film set, I become frightened and nervous. There's all this equipment, all these people, and most of them do things you don't know how to do. I didn't come from a film background.
I come from a place where getting a call to do a film is a big thing. I would work double hard to better a partly-convincing film than be without work.
'Black Swan' does what Hollywood movies have always done - it spends its energies on getting some surface things right while getting everything important wrong. Darren Aronofsky, the director, applies the same techniques and the same sensibility here as he did with 'The Wrestler,' only with a prettier protagonist.
I don't come from a film background. so I am grateful to everyone who loves my work.
I don't come from a film background, so I am free to work in any script that interests me.
Los Angeles is such a great meritocracy. Where can someone with my background - don't have the right family background, the right religion, the right provenance or whatever you want to call it - I come here and I'm accepted. The city's been good to me. And I want to give back.
I've often thought that my background in rock 'n' roll has gone to waste in film work. My background was that I was a rock 'n' roll drummer and I don't think I used drums in my first ten years of film scoring.
'Saawariya' was my debut film. It will always be the most special film.
The main thing that's important to me is getting to do whatever project it is the way that I do what I do, and that's different. To go to an entity - whether it's a traditional film studio or some newer company, or HBO, Amazon or Netflix - they would have to know that I need to work the way I work.
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