A Quote by Kriti Sanon

Whatever happens, happens for the better. I was meant to do 'Raabta.' Every film has its destiny, and it's the film that chooses you. — © Kriti Sanon
Whatever happens, happens for the better. I was meant to do 'Raabta.' Every film has its destiny, and it's the film that chooses you.
Every film has its own destiny, and everything happens for a reason.
You'd better have faith that everything happens for the best. Nothing happens in your life that isn't something that you are meant to learn to get you where you need to go so you can become who you are meant to be. And that meant-to-be might be someone you don't even know exists at this moment in time.
I have no issues if audiences don't like a film or a performance, and the film doesn't do well. My problem is when they say that the film was good and performances were excellent, but the film didn't run. I have a problem when that happens.
Whatever happens happens. If something happens, something happens. But I believe in God, and I pray every day.
'Hudugaru' is a remake of the Tamil film 'Nadodigal.' The film is about what happens when relationships between friends or lovers is taken casually. The film will appeal to youngsters and families alike.
Usually, when making a film, the surprises are negative surprises. You don't get what you wanted or what you hoped for. The only nice surprises are those that are offered to you by actors when they offer you these gifts, when they are better and give you more than what you had originally conceived. That doesn't happen every day on set, but if it happens a couple of times in the course of making a film, you can consider yourself very lucky.
With the films, it starts off with certain coordinates in the world and seeing what happens. What happens if you place yourself at an oil refinery in the Middle East? What happens if you place yourself in the White House Cabinet Room? What happens if you place yourself with Brad Pitt on the set of a film? And so on. And no matter what I capture, there is a sense of déjà vu to it, like you might have come across this visual before.
You choose the film, and then the film chooses everyone else; a film decides everything on its own.
I like naturally occurring film grain, and what happens to film when it's under- and over-exposed.
At times, it is hard to say no to a film, but that happens, because you can't do a film due to date issues.
With any independent film, it's all about getting everyone's schedules in line and everything together at the same time and just doing the best you can do when that happens - if it happens.
Refined indifference is a sports psychology precept: train like there's no tomorrow and then accept whatever happens. Once you step on the field realize that whatever is meant to be is meant to be.
I make a film - and once I've made it, everyone comes along and says 'Ah! This is a film that's political, or social', or whatever. But I'm not telling the story that they see. I made a film, told a story, but I wasn't thinking about exactly what it all meant.
The film, 'Aftershock,' for me is really about how the minor problems in life that we think are so major ultimately mean nothing when a tragedy happens, when a real problem happens.
Whatever happens, happens because I'm trying to dot every 'I' and cross every 'T.'
I have different interests, and what happens with making a film is that you're going to live with it for a long time, so it better be something that has some staying power. I'm usually inspired by - it could be anything. In one instance, one of the things I was inspired by was something that was happening in my family - the drama that happens in a family, or an unsolvable crime, like Senorita Extraviada.
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