A Quote by Kriti Sanon

I am very instinctive when it comes to a script. — © Kriti Sanon
I am very instinctive when it comes to a script.

Quote Topics

I am very instinctive. When I read a script, I think, 'Is this something I would want to watch?'
I don't really have a specific formula I follow to find the right script or role. It's always just very instinctive.
I'm very observant and very instinctive. In life, you have to have the vulnerability to accept when you are to blame. And I do have that, and I am open enough to say it.
I'm very observant and very instinctive. In life, you have to have the vulnerability to accept when you are to blame. And I do have that and I am open enough to say it.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
When I am making a film, it's very instinctive, it's not preset.
It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
Even when I'm reading a script where I'm supposed to be looking at the lead role, I'll find myself gravitating toward some small weirdo in a few scenes instead. I'm very instinctive like that and I love the challenge of not having a lot of time to create someone who feels real.
I wrote the script of Patton. I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I was fired. When the script was done, they hired another writer and that script was forgotten.
I think it's very rare, as an actor, that you get to a script, or an idea of a script, and you go, "Oh, I just have to do that!" It fell into place very quickly.
It's not about the script: it's about who the director is and who the other people in the cast are. Because you can look at a great script and execute it in a very sophomoric way, and you can look at an OK script, and you can execute it in a very sophisticated way and come out with something really good.
The best acting is instinctive. It's not intellectual, it's not mechanical, it's instinctive.
I am a very instinctive Conservative. I have created a welfare system where it pays to work. I have created independent schools within the state sector bringing excellence to children wherever they are.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script, and it's very linear. There's a script, then you're going to shoot the script ,and then you cut that, and then that's the end of the film. And that's never really been how I've seen it.
I'm quite curious and excited about seeing a new script for 'Blade Runner.' If, in fact, the opportunity would exist to do another, if it's a good script, I would be very anxious to work with Ridley Scott again; he's a very talented and passionate filmmaker. And I think it would be very interesting to revisit the character.
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