A Quote by Kriti Sanon

Sudheer Varma is very easy going and very confident director. He knows exactly what he wants. He has a very good vision and knows how many shots he wants for a scene. He is super fast. He gives freedom for actors to try different things. The atmosphere on the sets was never serious. We had great fun working together.
I think one of the things you have to be aware of as an actor is that if you come on the set and see the director standing there mouthing all the words while a scene is going on, that's usually a very bad sign because it means the director has already shot the scene in his head. He knows exactly the rhythm and the nuances that he wants delivered in the line and you're not going to dissuade him.
Alexander Payne is one of those directors who is completely in charge and knows exactly what he wants, which is really fun. It's fun when a director is very specific. He knows totally the tone that he's going for. It makes it easier than if everyone's just guessing and trying to figure it out.
But actually my dad is a very talented director and not just his use of shots and camera, but he's very good with actors and he knows acting well. It's great to see him do that and be really good at it and he's been doing it for a while and he certainly knows how to make movies, and little movies I guess for a television show, and he's going to come back in November to direct a second episode, which I'm really excited about.
Working with Ram Gopal Varma is a great experience. He is such a wonderful director and no other director gives freedom to the actors like him.
Some of the best actors in the world are very exterior actors, Anthony Hopkins being one of them. He knows exactly how to turn his face to get a certain expression. He knows exactly what to do with eyes, and with his voice. It's very exterior.
A good director is very well prepared, and knows exactly how he's going to cut the film, so the shooting is as efficient as possible.
The thing with Ridley [Scott] is he's been doing this forever, he knows what it is he wants and how to get it. There's absolutely no messing around on set. Having said that, he's very accessible to actors, very open to what you want to do and willing to talk about it.
A good actor knows exactly what the camera wants, what the sound wants, where to find the light and how to tell a good through line and journey.
One wants never to give up this crystalline perspective. One wants to keep counterpositioning home with what one knows of alternative realities, as they exist in Tunis or Hyderabad. One wants never to forget that nothing here is normal, that the streets are different in Wisebaden, and Louyang, that this is just one of many possible worlds.
That is a big turn-on for me, a director who knows what he's doing and what he wants, and knows when he's gotten what he wants.
The idea of working with Steven Spielberg was very attractive. He's such a master. He knows the language of the camera and of filmmaking, which gives him a great freedom.
When somebody can't reveal what they're after - whether by word or by how the camera is set up, lighting, etcetera - it's like an electronic beep beep; it interferes very much with what we actors can do. And, after all, the director wants the actors to be bringing forth the best that they can, according to whatever vision he has.
[George Clooney] knows exactly what he wants and so he knows that you've done a good job before you do.
Working with Joe [Kosinski], definitely. I loved working with Joe. For a guy who doesn't really come from the fiction world - he comes from advertising and architecture - he's extremely easy-going and very calm. He's extremely detailed, but a very generous and fun director to work with. He really encouraged me to find the fun in the part and to have fun with it.
He's extremely clever and I learn always so much when I fight with Lewis. He always knows exactly what you are going to do next with his experience, and that's what makes him so good on track with the battles. He's not very aggressive, always very correct, but always very good to anticipate what you are going to do.
Rituparno is a very simple director. I have never seen Ritu shouting at anyone. The whole atmosphere on his sets is so relaxed that you don't feel that you are working.
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