A Quote by Kriti Sanon

'Dilwale' has increased my audience reach; I have gained in every way possible. — © Kriti Sanon
'Dilwale' has increased my audience reach; I have gained in every way possible.
Like every filmmaker, I make my films to reach the widest audience possible.
[The writer] wants both to do the best possible work and also to reach the largest possible audience. The result is a fairly normal condition of discouragement.
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
The multiplexes audience has one way of thinking. When they are all sitting together temperamentally, there is room for a filmmaker to reach out to a far larger audience in a comfortable way.
It isn't that greed's increased. What's increased is the realization that you've got a free field to reach out for what you'd like to do.
When I was approached to remake 'Vinnaithandi Varuvaaya,' I felt that it was a good way to reach out to a wider audience, every director wants that.
Commercial films give you a wide exposure. For 'Dilwale,' I got calls from countries like Oman. Its reach is huge. Similarly, doing independent projects satisfy the actor in you.
When I started in television, it was brand new. It was the miracle over in the corner of your room. Now the audience has seen every story line. People have heard every joke. They can predict the plot almost before a show starts. That's a hard, sophisticated audience to reach.
You always want your movies to reach the widest audience possible.
Black music has increased my enjoyment of what I do. It has increased my range, my ability to reach into myself and accept myself.
With television, attention spans have been shortened. It's something we have to fight against: the dumbing down of the audience. To be part of an audience is a privilege. To be with the people on stage, to let them reach you. If you're doing a million other things, they won't reach you.
I realized that if you're trying to reach an audience, being as subjective as possible and really trying to write from something genuine is the way to go. Really it's mostly from my own process, my own experience.
As was the case for Nobel's own invention of dynamite, the uses that are made of increased knowledge can serve both beneficial and potentially harmful ends. Increased knowledge clearly implies increased responsibility. We reject the notion advocated in some quarters that man should stop eating from the tree of knowledge, as if that were humanly possible.
I sign up whatever live shows I get simply because every gig is a chance to reach out directly to the audience. When it comes to gigs, I try mixing personal picks with what the audience demands.
You want to reach people, but you also want to reach them in the most authentic way. You now have a mass market and an audience that's listening, but they're in love with a song that means absolutely nothing to you.
I think Jim [Carrey], in the best possible way, thought, "I need to do different things to establish to the audience that I'm not going to do the same thing every time."
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