A Quote by Kriti Sanon

The first film is very important, and one needs to choose the right kind of debut project. I also think the second film is equally important, as it needs to be a notch higher.
When I'm writing film music, I feel like I'm more a filmmaker than a composer. It's more about what the film needs. I'm basically part of the team that's creating a film, and the music is a very important part, but it's just one part of many.
If I have to choose between a Bollywood film and Pakistan film, it may sound cliched, but I will go with the script first. And if both the scripts are equally good, then I will choose a Pakistan film.
I have always believed that the choice of your second film is as important as you first film.
I think the arts should get big support, but my country has a lot of needs more important than film. Medication, education, food... The poverty is overwhelming. There are simply more important things to be attended to.
I am as curious about my daughter's acting debut as the rest of the world. I think Alia has got the best possible debut under the biggest banner. But it's not going to be easy for her to go from the first to the second film smoothly.
Tobin Bell wasn't obligated to do the second Saw film but he wanted to. I think they brought me into this film because there's a first time director, and my reputation is one of an actor who's there for the betterment of the project. I'm not there to better myself. I'm there to bring all my resources to the project to make it as good as it can be. In the end, that makes everyone look good.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second film is where you've really needed to have learned something.
There are so many factors that one needs to keep in mind while composing for a film. Every movie is different and demands a separate approach. Originality also plays an important role.
When you don't come from a film background, getting the right debut is important and difficult, as you don't have the sensibility to know what will work and what won't.
For an actor, it's important to choose the right kind of project.
No one knows why a film does well or not. The reasons for this are not important. What is important is the intention you start the film with and the final state when the film releases on a Friday - whether people liked it or not.
You have to be willing to put everything you've got towards the project. That to me is very important. And it may not be part of the fad, being the clichéd kind of film that's going to be successful.
I think the situation in Toronto is such that there are funding organizations which make it easy for a film to raise more money than it needs and very often that works against a film.
You know, this is such a rich time that we've just been involved in, and there's really a job now for historians. Film is still very young. This is the first hundred years of filmmaking. So I think it's important that we have some sense of history and continuity. Especially in film.
I think there's very many paths to a nomination, and they don't all necessarily go through the bloggers. I don't think we, as bloggers, are all important. I don't think that we can make or break a candidate. I think we are a component, we are a piece of a larger piece of a puzzle. And so, no campaign is going to be able to have it all. No campaign is going to have all the money it needs, or all the media it needs, or all the staffers it needs or all the blog attention it needs. They're going to have various pieces, and there's more than one way to get to the nomination.
This site uses cookies to ensure you get the best experience. More info...
Got it!