A Quote by Kriti Sanon

I think if you're talented and not desperate to do any film that comes your way, and are doing justice to all your roles, then you're fine, because you can't predict the rest. You also can't predict the audience's reaction.
You're going to lose it when you follow the world "feel" with the words "because I think". Any time you are thinking, your chance of getting what you need is greatly decreased, especially when you follow the word "think" with the word "you". I predict you won't only not get heard, but I predict a defensive aggressive reaction.
It is not the case that I can predict your views knowing that you are a white male. I cannot predict your views if you are a black female, and it is height of both arrogance and condescension to think that somebody can be type casted on the base of.
In order to predict effectively, we need to use science. And the reason that we need to use science is because then we can reproduce what we're doing; it's not just wisdom or guesswork. And if we can predict, then we can engineer the future.
If you stay in the attention you are in, then you can predict everything that will happen to you for the rest of your life.
You can't predict what's gonna happen, you can't predict if people are going to participate, you can't predict if there'll be interference.
I think Iran is the kind of place where it's difficult to predict what's going to trigger structural change. It's hard to also predict the role that civil disobedience or mass protests could play.
My stupid ambition is to make a film that's not like any other - one that has its own kind of logic and hooks viewers without making them think too much. It's a film I'd love to see, one in which after 10 minutes the audience isn't able to predict the whole thing.
It's sort of a meat market, the whole awards thing, and I don't think you can predict it anymore - who's going to like what you've done, if it's worthy or not. And hopefully, that's not why you make a film, because if you're distracted by that, or only striving for that, you don't do it justice.
Give me five minutes and I can predict your financial future for the rest of your life.
Things happen in a way that surprises. That's why I'm reluctant to predict. You cannot predict.
You can't do anything to a film post its release. I concentrate on working hard, giving the required inputs for the roles, having discussions with my directors and co-stars. It isn't possible to predict the fate of any film. I don't take failures to heart and successes to my head. These are part and parcel of this career.
I can tell any liberal why he or she thinks what they think. I can predict to them what their reaction to any event or person is going to be, because I know them, because I have taken the time because I'm curious to study it. I know what liberalism is. I know from where it springs and derives, and I know the vast majority of people who are liberals, what they are going to do, say, and think about.
One really can't control or think about the reaction of the audience because you're so steeped in trying to get what you feel is right on film and to translate the page in the proper way. The rest is superficial stuff you can't change or adjust or deal with.
I've learned that you can never predict what will happen to a film. You can never predict if people will love it, if they'll hate it. It's an act of ego if you're hoping for everyone to love the film and tell you how great you are.
You know how it is with writing. You just write what you want to write. There's no way to predict what is good or bad. You just do what you think is funny, and either it works or you're finished. It's impossible to predict anything.
I understand... the pressure is definitely hard, but I think just keeping your head on your shoulders is easier than it looks. I think if you know who you are, then I think you'll be fine for the rest of the way.
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