A Quote by KRS-One

Maybe I'm the prophet of hip hop for real. Maybe I do come with some kind of divine principle behind me, because I know that every battle I've ever had I've always won. — © KRS-One
Maybe I'm the prophet of hip hop for real. Maybe I do come with some kind of divine principle behind me, because I know that every battle I've ever had I've always won.
I had no idea how much the stuff I was doing was affecting people outside Oakland. At the time, also, hip hop wasn't able to tour because all these clubs that let hip hop come in now, they would never have let hip hop come in.
When I first started comedy, before I kind of gained any national prominence, I - in a weird way - went back to that. Marc Maron had me on WTF making fun of me about that when I first opened for him. I had this very kind of hip-hop bravado to me, and I realized that now I've let some of that go in my stage presence, that maybe that was because I had dropped that completely from my life, and when I got onstage I sort of rekindled it. And I think now that it was perhaps a defense mechanism that was left over from those days, which I think is kind of interesting.
I probably could have a hip-hop-style entourage of 40 people coming with me to the club or whatever, and I don't do that. And I think sometimes maybe I should. It just makes things easier - if you don't like being by yourself, maybe just don't do it ever.
Even though hip-hop started as a battle format, different artists appeared on each other's records or hung out in the same clubs, supporting each other. That was a profound influence. Also, hip-hop, to me, represents limitless possibility. Hip-hop is always evolving. People say, "Oh, it's a very commercial thing, it's too R&B." But in six months, a record is gonna come out that will completely change that.
I should’ve been furious, but for some reason I wasn’t. Maybe because I knew he was telling the truth. Maybe because Voron left me just like that, without the much-needed explanations. Maybe because things I had learned about him since his death had made me doubt everything he’d ever said to me. Whatever the case, I felt only a hollow, crushing sadness. How touching. I understood my adoptive father’s killer. Maybe after this was over, Hugh’s head and I could sing “Kumbaya” together by the fire.
I think one of the reasons I've had success in hip-hop is that I can bring out vulnerability in people who are generally seen as tough guys. To me, when a hip-hop musician always plays tough, I find it annoying because I know they're not really like that - there's something deeper and vulnerable. There has to be, because they're human beings.
I had no answer to those questions, only hope. With absolutely no one to turn to, no Mikey, no Axe, no Danny, I have to face the final battle by myself, maybe lonely, maybe desolate, maybe against formidable odds. But I was not giving up. I had only one Teammate. And He moved, as ever, in mysterious ways. But I was a Christian, and He had somehow saved me from a thousand AK-47 bullets on that day. No one had shot me, which was well nigh beyond all comprehension.
Sometimes I'm just a little bit too honest. There was some things that were going on behind the scenes that I didn't like because it's not what hip-hop is about. Hip-hop is about honesty and it's about being real to the people, and I kinda felt like there's some instances where some artists aren't 100% honest with the people. Their integrity is lacking sometimes. And sometimes it comes out.
Maybe the heart is part of the mist. And that's all that there is or could ever exist. Maybe and maybe and maybe some more. Maybe's the exit that I'm looking for.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
Well, we have to realize the truth about the person who is a hip-hop insider. Most of these people are not really insiders. They are people who are chosen to do an interview and they will make a statement and say that they are a part of the hip-hop culture, but from an intellectual standpoint, they are not very sharp, because back in '1990..'91 one would criticize somebody for doing one type of commercial and say that's not real hip-hop and then another rapper turns around and sell them malt liquor and say that's real hip hop.
I felt that I'm a real important part when it comes to hip-hop, but maybe not so much in the industry, so I felt that I was better of in an independent situation... where I have some control over my life and there's no middle man and it's basically me and my team handling my situation.
I think I can see people wanting to hear more music-music now as opposed to all hip-hop. You know, which I have nothing against hip-hop. I think some of it is really good. But on the other hand, some of the real great artists are just being lost because they're not getting the airplay or anything to make them inspired to record again.
Maybe she should cut the guy a little slack, [...] Maybe Thorne had been a no-show because something bad happened to him on the job. What if he'd been injured in the line of duty and didn't come by as promised because he was incapacitated in some way? Maybe he hadn't called to apologize or to explain his absence because he physically couldn't. Right. And maybe she had checked her brain into her panties from the second she first laid eyes on the man.
I've always loved hip-hop, since I was a kid, that's the music that I loved. I think everyone of our generation kind of fantasized about hip-hop in some ways.
I grew up with, maybe not the best hip-hop in the world, but a lot of hip-hop. Will Smith was, like, my jam when I was, like, 9 or 10 years old.
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