A Quote by Krystal Ball
I've lived in the state almost my entire life, so I think if I ever wanted to come back and serve in Virginia, it would be pretty hard to paint me as a carpetbagger.
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I said I didn't think it would be a collectivist state so much as a wilderness in which most people lived hand to mouth, and the rich would live like princes - better than the rich had ever lived, except that their lives would constantly be in danger from the hungry predatory poor. All the technology would serve the rich, but they would need it for their own protection and to assure their continued prosperity.
I've lived in New York state almost my entire life, so my votes never count.
I, for one, despite being a pretty solid climate hawk, I am extremely sympathetic to West Virginia and its coal-country needs. I lived there for a year. I've seen it. And the same for Wyoming, Ohio, Pennsylvania, Kentucky. They all have parts of their state where that really matters. And I think that home-state constituency issue is a pretty constant one. And I think the problem of extreme lobbying by the corporate sector, which runs about $30-to-$1 compared to everybody else in the world, and the constituent aspect combines to give those industries a consistent advantage.
We lived in my father's studio, so there were the brushes and the pencils and the paint. So it would - it was very natural for me to want to paint, I think, and it was never a question.
We lived in Colorado, and my parents were outdoorsy mountain people. My father would always say, 'Go out and don't come back until you have something to show me.' Which meant he wanted me to come back with a scraped knee or an injury. When I went out to play, I felt like I'd better get hurt.
Born Virginia Marshall but nicknamed Gig, my mother was a home economics teacher who had come all the way across the whole state of Virginia, from her home on the Eastern Shore to our little Appalachian coal town to marry my daddy, Ernest Smith, whose family had lived in these mountains for generations.
I think I've lived a pretty hard life. What I mean by hard is that... I've been kind of reckless with things. I'm a passionate person. I'm a super passionate person. I think there's definitely been sorrow in my life, good and bad. I think it comes through. I hope it comes through in my writing because to me that's what artistry is.
For me, I was born in the Bronx, and I moved to Virginia Beach, Virginia at a very young age. I had the luxury of going back to New York, visiting my grandmother who would spoil me endlessly, and I could buy whatever was the hot kicks in the summertime of 1990. Being able to shop and then going back to Virginia Beach, where they weren't as fast in regards to fashion, I had that luxury.
I was sitting at home and had a profound experience. I experienced, in all of my Being, that someday I was going to die, and it wouldn't be like it had been happening, almost dying but somehow staying alive, but I would just die! And two things would happen right before I died: I would regret my entire life; I would want to live it over again. This terrified me. The thought that I would live my entire life, look at it and realize I blew it forced me to do something with my life.
I always had this ego where if I ever wanted to come back to doing rap, I could do that. That was not true. I would get stuck, I would be in a room and someone would ask me for something and I didn't have it.
I have spent my entire life living in a zoo, which is pretty crazy. Not many kids get to say that, and it took me until I was about three years old to realize that we didn't just come to the zoo every day, that we actually lived here.
If men are in a state in which they find it hard to be weaned from their own ways and choose rather to serve the pleasures of the flesh than to serve the Lord, and refuse to accept the Gospel life, there is no common ground between me and them.
I fully believe in ghosts. I have, my entire life. The first house I ever lived in was haunted. There was a grave of a man in the backyard. I was just a baby then, but my parents would tell me that every night, at the same time, they would hear someone walking up the stairs.
When you write a novel or paint a picture, you have the opportunity to approach it and back off, tear up pages, write, rewrite, paint over, and come back to it. In film, once you start shooting, you can't restart the clock, and you keep moving forward, and you don't look back, and you don't go back. And that is, of course, antithetical to the creative process. It's really hard to generate a comfortable creative flow under that kind of pressure.
When I look back I can think that of course I've been lazy and haven't practiced as much as I could have and have wasted time. Still though, I look back on my life and I think that really, I am very happy that I lived my life the way I have and I would never ever have wished it any other way - especially, the six years with my lama and then the 18 in Lahul.
As a doctor and father, I often come back to the proverb, 'Speak out on behalf of the voiceless, and for the rights of all who are vulnerable' - and that's how I plan to serve Virginia as governor, too.
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