A Quote by Krysten Ritter

Netflix is like sitting at the cool kids' table. Netflix is amazing. We're the biggest fans of not only working there but of the company in general. — © Krysten Ritter
Netflix is like sitting at the cool kids' table. Netflix is amazing. We're the biggest fans of not only working there but of the company in general.
Netflix is like sitting at the cool kids’ table. Netflix is amazing. We’re the biggest fans of not only working there, but of the company, in general.
I'm excited when any Netflix show comes out. I'm like, 'Yeah, Netflix! Doin' great! We're all on the same side.'
At Netflix, we realized that we weren't in business with the Toshibas and the Sonys of the world. We were in business with the guy sitting at home trying to find a DVD to watch. If we had the courage to focus on him, everyone - movie studios, electronics companies, Netflix itself - won.
I'm not one of those people who only believe in the Netflix model. I go see films in the theater and love that experience and don't want it to ever die. But I like that Netflix exists, and you can discover so many different types of movies and TV and content you wouldn't have access to.
I guess people just like Netflix. And they like rom-coms, and I was fortunate enough to book two random ones that got sold to Netflix.
Being Latino in this market, in the past 20 years, I hadn't gone out for the white dude next door, but Netflix had that vision. Netflix is changing all of that, not only in the production aspect, but they're trying to include everybody.
I watch my favorite shows-The Walking Dead, The Office, 30 Rock and Parks and Recreation-on Netflix to unwind. Actually, I eat most of my meals while watching Netflix. It's like my companion.
I don't tend to watch TV. I'm like a Netflix junkie. I watch a lot of documentaries and movies on Netflix. I like 'Downton Abbey.'
We separated like oil and water. In the cafeteria, you'd see a table of black jocks, table of white jocks, table of rich white kids, table of Hispanic kids, table of Chinese kids, table of druggies, table of chatterboxes, and so on. Wait! There's a diverse table over there! With a few kids of different tenacities and economic status! Oh, that's the nerds. That's where I sat. We weren't cool enough for the other tables, so we didn't discriminate against anybody.
The beauty of 'The OA' or 'Stranger Things' is that they are both made by Netflix for Netflix. And so there was a freedom all of a sudden that matched our intention.
David Fincher's work has all been incredibly well-received on Netflix, and Kevin Spacey's films have all worked on Netflix.
If I were paying to display images of my father [like Netflix does] in the United States, I am sure I would face legal sanctions and I would even be killed for doing it. And Netflix receives applause instead of criticism for it.
We need Netflix. We in the independent sector more than anybody need Netflix, because they care about what we do.
The thing with Netflix is everyone who reads this article can go to Netflix, watch 'Live in Oakland' and come to D.C. and see me do a different show. It's a constant source of people getting to know me.
It's an exciting time to be in television, and it's a really exciting time to be on a Netflix show. I remember when Netflix first came out, I didn't quite understand the DVD thing and why my husband was mailing it back.
Youku Tudou is a hybrid, like combining Netflix and YouTube. Like Netflix, with Youku, which launched in 2005, we syndicate a library of longform content and create original content. The Tudou model started with user-generated content but is increasingly becoming about partner-generated programming.
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