A Quote by Krysten Ritter
It's rare to get a part in a show that's greenlit, let alone two shows that have been greenlit.
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Before 'Twilight' was greenlit, I had four projects at four studios. I worked super-hard on all of them, but 'Twilight' was greenlit first.
Nowadays, to get a movie greenlit, you have to make an incredible effort.
There's plenty of examples of films where they're greenlit to move forward, and they want to get X actor. And they don't get X actor, so they go with Y, and it doesn't turn out to be as good of a movie as it should have been.
YouTube opened up the types of voices and alternative ways of viewing ourselves that would never have been greenlit by a Hollywood studio.
For movies to get greenlit solely based on the success of other movies that have a lot of women in them? It's so ridiculous to me.
It seems like studios and networks only greenlight stuff that has familiarity to them. If you can be like, 'Oh, it's 'Workaholics,' but it's Asian girls,' they're like, 'Yeah, we've got it. We know exactly what the show is. It's greenlit.'
To get 'The Greatest Showman' greenlit, we had to get everyone into New York City to hear a read through, where we'd read through the script and sing it.
I was confident about the potential of 'Baaghi 2' when I greenlit it, but the final product has blown me away.
Independent film is such a huge deal in the UK. There aren't many big budget studio movies that get greenlit at all. The indie film industy is a great opportunity that I'm trying to seize.
When you have these surprise breakout films that do well, that have good performances in them, it puts a lot of pressure on the Academy to recognize those projects, so it's more of a conversation about what is greenlit.
Conservatives are routinely pilloried on television. A&E likely greenlit 'Duck Dynasty' in the first place because executives believed Americans would laugh at the redneck antics of the self-described 'white trash' family.
When The Walking Dead officially got greenlit, Frank Darabont called me up and said, "My passion project just got off the ground. There's a role I think you're perfect for. Would you consider the role of Andrea?" And I was like, "Wow, I'd love to take a look at it." So, I read the pilot script and was knocked out.
'Nach Baliye' has always been one of my favourite shows on television. I always used to be an avid follower of the show, and I always wanted to be a part of this show and am quite excited to be part of it.
Pre-preproduction is the tenuous time before a project is greenlit; before the studio commits to spending real money. This is the most vulnerable period for any film because it's the time when your project is most likely to be put into turnaround. That's film-speak for killed off.
As an actor, you very rarely have the experience of picking up a script and getting a few pages into it and realizing that what you're holding in your hands is not just a role on a TV show, but it's one of those special parts that comes along, once or twice in a career. If you're lucky, you get an opportunity to do something really memorable and to be part of one of those rare shows that passes into that special category.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
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