A Quote by Krystle D'Souza
Who doesn't wants to be seen on the big screen? But that doesn't mean I will be a part of any project. TV has given me recognition, and I need to live up to the expectation of my audience.
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TV is a different animal. I belong on that little screen. The big silver screen, not so much, 'cause I've seen my face up close when it's 25-feet tall. I'm okay as long as you keep me in that little box.
There are times when I'll send a manuscript to an editor, and I'll think it is the most likely project I've ever sent them. And they might call me the next morning and say they couldn't tolerate it. That happens so frequently that I've given up any expectation of knowing what anybody's going to like.
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.
Once you have an augmented reality display, you don't need any other form of display. Your smart phone does not need a screen. You don't need a tablet. You don't need a TV. You just take the screen with you on your glasses wherever you go.
Small screen or big screen my job on set doesn't really change. The only difference with TV is I get to be surprised with new information just like the audience every time I get a script.
Every four or five films we've made a film that has gone on TV first. It's quite nice to tap into the TV audience, but it is nice to see it on the big screen too.
I love seeing my characters big up there and I would have liked to have reached a different public in movies from my television public. There's still a part of me that wishes that my character range could be seen on the big screen. Rather, as Rod Steiger was, because he was a big influence on me - about becoming other people and not worrying about your own glory or self esteem but sacrificing yourself to become somebody else.
I can see that cinema seems to be finished. Everybody has a bigger screen at home. I'm assuming eventually you won't need a screen at all - these iPhones will just project.
It does not mean that in the process of a small screen, I do small acting, or if I do a big screen project, I do big acting. For the actor, it does not matter.
If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.
I'm a very big believer that the reason you've seen this huge surge in superheroes both on television and in film is...part of it of course is zeitgeist. There's no denying that there's a huge appetite on the part of the audience in both TV and film for these kind of adventures.
Salma and I had run into each other once or twice at film festivals because I was doing the press for Real Women Have Curves at the same time she was doing the press for Frida. She had seen Real Women Have Curves, and when the idea of Ugly Betty came up, she thought of me. Her enthusiasm about the project was so infectious-she spoke of it with such expectation. Everyone that was involved was really excited about the project. I really wanted to be a part of it.
I grew up poor. To me, interior decorating is my big-screen TV, my couch and my Simpsons poster.
Chaung Tzu was one of the most natural men the world has seen. He has not given any discipline, he has not given any doctrine, he has not given any catechism. He has simply explained one thing: that if you can be natural and ordinary, just like the birds and trees, you will blossom, you will have your wings open in the vast sky.
Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.
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