A Quote by Krystle D'Souza

If someone decides to go ahead with a project that I had rejected earlier, and it works out well for him or her, there is no point in feeling bad. — © Krystle D'Souza
If someone decides to go ahead with a project that I had rejected earlier, and it works out well for him or her, there is no point in feeling bad.
It was bad on Linda. She had to deal with this guy who didn't want to get out of bed and, if he did, wanted to go back to bed pretty soon after. He wanted to drink earlier and earlier each day and didn't really see the point in shaving. I was generally pretty morbid.
Cats are ideal for politicians. I had two when I arrived at Westminster, Sooty and Sweep, who had come with a flat I had bought six years earlier in Fulham from someone who was about to go abroad. There was a better offer ahead of me but she took mine because I would take the cats.
When my record company rejected 'Full Moon Fever', I was hurt so bad. I was pretty far along in my career at that point. I'd never had anything rejected; I'd never really even had a comment. So when that happened, it was really just a board to the forehead. But then, finally, I picked myself up.
But this was that view of human destiny which she had most passionately hated and rejected: the view that man was ever to be drawn by some vision of the unattainable shining ahead, doomed ever to aspire, but not to achieve. Her life and her values could not bring her to that, she thought; she had never found beauty in longing for the impossible and had never found the possible to be beyond her reach.
Jem, Cecily thought, with a pang in her heart. Her brother had always looked to him as a kind of North Star, a compass that would ever point him toward the right decision. She had never quite thought of her brother as lucky before, and certainly would not have expected to do so today, and yet-and yet in a way he had been. To always have someone to turn to like that, and not to worry constantly that one was looking to the wrong stars.
For a mother the project of raising a boy is the most fulfilling project she can hope for. She can watch him, as a child, play the games she was not allowed to play; she can invest in him her ideas, aspirations, ambitions, and values - or whatever she has left of them; she can watch her son, who came from her flesh and whose life was sustained by her work and devotion, embody her in the world. So while the project of raising a boy is fraught with ambivalence and leads inevitably to bitterness, it is the only project that allows a woman to be - to be through her son, to live through her son.
It is the perfect wrong time for Jeremy to do to Mirabelle what she had done to him - call him up for a quick fix - because;, in a sense, she is now betrothed. Her first date with someone who treated her well obligates her to faithfulness, at least until the relationship is explored.
When he thought of her, it rather amazed him, that he had let that girl with her violin go. Now, of course, he saw that her self-effacing proposal was quite irrelevant. All she had needed was the certainty of his love, and his reassurance that there was no hurry when a lifetime lay ahead of them. Love and patience- if only he had had them both at once- would surely have seen them both through.
There's this emotion we all feel of being overwhelmed at times, feeling that you can't get ahead. For me it's self-imposed because I'm so driven and I'm always going from project to project.
Have you taught a Sunday School class and felt when you finished that you had really taught someone some principle of the gospel that had really helped him or given him a brighter look on life? Remember the feeling of peace and joy that followed? Have you ever taught someone the gospel and received that feeling of joy because he had accepted what you had been teaching? The thrill of missionary work!
If someone wants to call me a Harlem Globetrotter, well, great, go ahead. I was very good at basketball. I was a really good point guard. I was the best passer.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
I carefully lifted out of the pose and spoke up: Uh, Fran? When I'm doing the pose (camel), I have this feeling in my chest, kind of a scary, tight feeling.-Fran was adjusting someone across the room. She had a way of looking like a thoughtful seamstress when she made adjustments: an inch let out here, a seam straightened there, and everything would be just right. She might as well have had pins tucked between her lips and a tape measure around her neck. Without missing a beat or looking up she said, Oh, that's fear. Try the pose again.-Fear. I hadn't even known it was there.
The smell of her hair, the taste of her mouth, the feeling of her skin seemed to have got inside him, or into the air all round him. She had become a physical necessity.
Bedding her could be anything from tenderness to riot, but to take her when she was a bit the worse for drink was always a particular delight. Intoxicated, she took less care for him than usual; abandoned and oblivious to all but her own pleasure, she would rake him, bite him - and beg him to serve her so, as well. He loved the feeling of power in it, the tantalizing choice between joining her at once in animal lust, or of holding himself-for a time- in check, so as to drive her at his whim.
There isn't a wife in the world who has not taken the exact measure of her husband, weighed him and settled him in her own mind, and knows him as well as if she had ordered him after designs and specifications of her own.
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