A Quote by Krzysztof Penderecki

When writing music for the 'Kaddish,' I evoked the prayers that were sung in Eastern Galicia, Ukraine and Romania. I was advised by my late friend, Boris Carmeli... He would sing me various melodies that were sung by his grandfather, thus they had to be at least as old as the mid-19th century.
Paul Simon once said that a songwriter's supreme challenge was being complex and simple at the same time-writing songs with lasting depth that are also simple enough to be memorable. Jimmy Van Heusen was a master at this kind of song. His music was complex, with deeply rich chord changes any jazzman can embrace, but also possessed catchy, crystalline melodies of exceeding sing-ability. His songs were meant to be sung, not just listened to, and they were sung by the best, with Frank Sinatra and Bing Crosby at the top of that list.
I decline to discuss, under compulsion, where I have sung, and who has sung my songs, and who else has sung with me, and the people I have known.
In the old days, people shared music; they didn't care who made it. A song would be owned by a village, and anyone could sing it, change the words, whatever. That is how humans treated music until the late 19th century. Now, with the Internet, we are going back to having tribal attitudes towards music.
I was really interested in 20th century communalism and alternative communities, the boom of communes in the 60s and 70s. That led me back to the 19th century. I was shocked to find what I would describe as far more utopian ideas in the 19th century than in the 20th century. Not only were the ideas so extreme, but surprising people were adopting them.
I have sung in hobo jungles, and I have sung for the Rockefellers, and I am proud that I have never refused to sing for anybody.
Into love and out again, Thus I went and thus I go. Spare your voice, and hold your pen: Well and bitterly I know All the songs were ever sung, All the words were ever said; Could it be, when I was young, Someone dropped me on my head?
I've sung my whole life. I've taken lots of voice lessons and I love to sing. But I've never really sung professionally at all.
Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
Deciding what is to be sung and what is not to be sung is really what writing a musical is about.
The little song and dance number at the end - that's me, my voice, howling out. It was a new experience for me. I've never sung before and I've certainly never sung on screen. I think I sung on stage when I was 13 and for some reason nobody's asked me to try it again since.
About 20 years ago, I had a dream in which somebody sang one of the most beautiful melodies I'd ever heard, and gave it to me, and warned me not to forget it. Of course, I did forget it by the time I had got out of bed. Now as precaution, my phone is overloaded with half sung melodies.
When I was a little baby, my mama she said "Son.Travel where you will and grow to be a manAnd sing what must be sung, poor boySing what must be sung.
I've sung a whole lot of jazz. It's my favorite style of music to sing. People don't realize it, because they're so accustomed to hearing me sing musical theater.
I have sung, but I haven't sung in any way that I would ever call myself 'a singer.'
The melodies were melodies that anybody could sing or hum or whistle. And the words were just about that simple. I think the stories Hank told in his song fit so many people. Nearly everybody in the audience acted as if Hank were singin to them alone.
If I were an opera singer, I"d have sung you an aria. If I were an artist, I would have painted your portrait. But cooking is what I'm best at.
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