A Quote by Krzysztof Penderecki
I studied violin since I was a boy, and my dream was to be a violinist and to play.
Related Quotes
My father was a trained accountant, a BCom from Sydenham College and a self-taught violinist. In the 1920s, when he was in his teens, he heard a great violinist, Jascha Heifetz, and he was so inspired listening to him that he bought himself a violin, and with a little help from an Italian teacher, he learned to play it.
The composer Stravinsky had written a new piece with a difficult violin passage. After it had been in rehearsal for several weeks, the solo violinist came to Stravinsky and said he was sorry, he had tried his best, the passage was too difficult, no violinist could play it. Stravinsky said, 'I understand that. What I am after is the sound of someone trying to play it.'
The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn't look like a violin is no reason to assume his techniques should be thought of as less difficult.
I'm proud of everything that I've accomplished since I was a little boy. That was my dream - to be a ballplayer. I didn't dream to win so many Gold Gloves, or Silver Bats or play in All-Star Games or World Series. I was just dreaming to play the game.
I've played the violin since I was seven but stopped because there was a stage when it became 'uncool'. I was listening to Nirvana and wanted to play the guitar, so I ditched the violin.
I actually played violin on 'E.T.' I used to be a violinist.
I had studied the violin to a certain amount of success. At some point, I realized that I didn't really like the violin. I was only doing it because I could, and I was good at it, and everyone was encouraging me. But I didn't have a great love for it.
It's been a dream of mine since I was a young boy. Even back then, I had decided that one day I would play in the Champions League.
I was leaving my violin out of a lot of songs, and that's a strange thing to do because I've been playing the violin since I was 2. It's a part of me. Adding pedals and sounds is great because I get to play the instrument I feel most comfortable on and the one I feel gives my truest expression when I'm making a solo or anything like that.
I had studied the violin to a certain amount of success. At some point, I realized that I didnt really like the violin. I was only doing it because I could, and I was good at it, and everyone was encouraging me. But I didnt have a great love for it.
I just woke up one day when I was six and I wanted to play the violin. Then, six years later, I didn't want to play the violin, but I wanted to sing and play the guitar.
A violinist had a violin, a painter his palette. All I had was myself. I was the instrument that I must care for.
The only downside to playing the violin is that you never know when you're going to be asked to play. I could be out to dinner or having a drink at a bar, and someone could just give me a violin, and I've got to be ready to play.
Well, my main instrument is violin, but I think of myself as a songwriter who happens to play violin.
I come from a very musical family. My dad taught me to play guitar. I play violin and drums as well. Violin, I started in elementary school. Drums actually came when I was in a program called 'Rock Star,' which was really awesome. We were doing a song by the Ramones, so I thought, 'Why not play the drums?'
For twelve years I studied and worked at them every day, and I was nearly 25 before I had the courage to play one of them in public. Before I did, no violinist or cellist had ever played a Suite in its entirety.
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