A Quote by Krzysztof Penderecki
In summer, I like to sit and compose on the porch, where I can see people come and go.
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Gimmicks come and go; the cop show seems one genre that will never leave - not as long as people like to sit at home in the suburbs and see what awful things go on in the cities.
I'm not the type to sit on the porch and watch life go by.
I beg young people to travel. If you don't have a passport, get one. Take a summer, get a backpack and go to Delhi, go to Saigon, go to Bangkok, go to Kenya. Have your mind blown. Eat interesting food. Dig some interesting people. Have an adventure. Be careful. Come back and you're going to see your country differently, you're going to see your president differently, no matter who it is. Music, culture, food, water. Your showers will become shorter. You're going to get a sense of what globalization looks like.
I remember one summer I played, like, with the granddaughter of this known Klan member. Like, all summer we caught cicadas. And we had grown close, and so it was, like, time for her birthday party and I said 'Oh, like, what time do I come for your party?' And she's like 'Oh, no, you can't come to my house 'cause my parents don't like black people.'
summer was our best season: it was sleeping on the back screeneed porch in cots, or trying to sleep in the treehouse; summer was everything good to eat;it was a thousand colors in a parched landscape.
I had something called the back of the chair test. Where I sit, we don't sit like you and I do. I can see a sliver right behind them and they come out and they sit like this like god students and they don't touch the back of the chair.
What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.
I had been doing summer stock every summer while I was in college. We did a showcase, like most good conservatories do - monologues and things that agents and casting directors come to see. From that I got an agent.
A lot of people have a fear of Shakespeare. Even actors do. People are like, "Oh, I won't go and see Shakespeare because the language is so hard," but it is. When you read it on the page, you go, "What?! What does that mean?!" If you go to a Shakespeare play and you've never been, you sit there and go, "I'm an idiot! I don't get it!"
When I was a junior, boys were allowed to come visit me at the house. We could sit on the porch until about 8 o'clock at night; that's when it started getting dark. That was it.
It's just a lot of fun to be able to see your ideas come into fruition. And to see people translate the things that come out of my mind vocally. And to be able to produce vocals and give people my point of view musically. And to be able to sit in the crowd and see people sing the song that I wrote, it's an amazing feeling.
Why do people compose music? Why do people listen to music? When we go into a concert, we go into a place where we want to experience a sort of ecstasy, to come out of ourselves.
You tell people that all the time, 'Jail's the worst place ever and you don't want to go there,' which is true but at the same time you see it's filled with a bunch of people like guy is drinking on a porch somewhere and he gets arrested for public intoxication. He's going to miss work. He's not a bad guy per se.
My ideal summer day was reading on the porch.
We went to see Lenny Kravitz last summer in Austin and he was awesome. His show was just awesome. I mean, like, when you see some of these great bands, you sit there and think, man, if only we were that tight, you know?
'Boys of Summer,' to me, is like the end of the summer, man. That heartbreaking feeling where you have to go back to school, your summer love is coming to an end, and the leaves are changing. That was always such an emotional time for me as a kid, because I loved summer so much.
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